"Photographed across four years and four continents, 'The Canary and The Hammer' details our reverence for gold and its role in humanity's ruthless pursuit of progress. Through a mix of image, text and archival material, the third book by British artist Lisa Barnard provides insight into the troubled history of gold and the complex ways it intersects with the global economy. Gold is ubiquitous in modern life; the mineral is concealed at the heart of much of the technology we use and is, most fundamentally, a potent symbol of value, beauty, purity, greed and political power. The Canary and The Hammer strives to connect these disparate stories -- from the mania of the gold rush and the brutal world of modern mining, to the sexual politics of the industry and gold's often dark but indispensable role at the heart of high-tech industry. Prompted by the financial crisis of 2008 and its stark reminder of the global west's determination to accumulate wealth, Barnard sets out to question gold's continued status as economic barometer amidst new intangible forms of technological high--finance. By addressing this through photography, Barnard in turn raises the question of how her chosen medium can respond to such abstract events and concepts. The result is an ambitious project, one sketching a personal journey in which she ultimately tackles the complexity of material representation in these fragmented and troubling times."-- Publisher's website
This collection of 240 sepia-tone images presents the best and most striking pictures from Curtis's documentation of a traditional culture on the verge of extinction.
This book is the final culmination of the course "Documentary Photography: Japan" offered by Stephan Apicella-Hitchcock through the Department of Theatre and Visual Arts at Fordham University.
Jacob Riis
Photo Documentary: Recent Images of Everyday Life
Weird and Wonderful Sydney: Australian Photographic Agency 1953-73 : Gallery Guide
Ryder chronicles the story of this collective endeavor through carefully constructed black and white images, original text, and calculated slippages that challenge the authority of colonial values, the historical archive, and photography ...
Without a doubt, Birte Kaufmann's combination of reportage and documentary photography hits the right note and offers impressive insights into the Irish travellers' extraordinary world.
Joseph Chila and Samuel Finlak: Two Portrait Photographers in Cameroon
Estate: Robert Clayton
A trente-cinq ans, Félix Thiollier, industriel stéphanois, choisit de se consacrer à ses passions d'érudit local et d'amateur d'art.