The Key Issues Concerning Contemporary Art: Philosophy, Politics and Popular Culture in the Context of Contemporary Cultural Practice

The Key Issues Concerning Contemporary Art: Philosophy, Politics and Popular Culture in the Context of Contemporary Cultural Practice
ISBN-10
1921775181
ISBN-13
9781921775185
Category
Aesthetics, Modern
Pages
259
Language
English
Published
2010
Publisher
UoM Custom Book Centre
Author
Gary Willis

Description

This thesis argues that the contemporary artist's objective is the production of new social space and the institution of new cultural knowledge. It does this by drawing an unexpected parallel between the social and political expectations facing the contemporary artist and the deepest philosophic conception of the artist's function. It traces art's historical trajectory from 20th century modernism, post-modernism to post-colonialism, from a broad range of critical, theoretical and curatorial perspectives.

Similar books

  • Themes in Contemporary Art
    By Paul Wood, Lecturer in the Department of History Paul Wood, Gillian Perry

    02 In this fourth volume of the Art of the Twentieth Century series, the contributors address a fascinating variety of themes relating to art from the 1960s to the end of the century—the period of “postmodernism.”The first of the ...

  • Issues in Curating Contemporary Art and Performance
    By Judith Rugg, Michèle Sedgwick

    This and other artworks provided insights into Eggeling's complex universal language of art and moving forms that inform his only film, Diagonal Symphony (1921). Esther Leslie suggests that the interrelationship of elementary forms and ...

  • Contemporary Issues in Art Education
    By Yvonne Gaudelius, Peg Speirs

    Contemporary Issues in Art Education by Yvonne Gaudelius and Peg Speirs is a collection of essays that are framed around social issues, art, and teaching. Using an issues-based approach,...

  • Teaching Contemporary Art With Young People: Themes in Art for K–12 Classrooms
    By Julia Marshall, Connie Stewart, Anne Thulson

    THEME 5: POWER Pamela Harris Lawton Power is a pervasive and controlling force in our everyday lives. Often it is so subtle that we are unaware of the ways in which power in the form of laws, societal norms, behaviors, and institutional ...

  • Issues in Curating Contemporary Art and Performance
    By Judith Rugg, Michèle Sedgwick

    The use of sound has also changed significantly in contemporary practice. A key feature is the influence of MTV culture, where image tracks are being cut to sound. Also the increased visibility of soundtracks in digital editing has ...

  • Debates in Art and Design Education
    By Nicholas Addison, Lesley Burgess

    Debates in Art and Design Education encourages student and practising teachers to engage with contemporary issues and developments in learning and teaching.

  • Investigating Modern Art
    By Paul Wood, Pam Meecham, Liz Dawtrey

    Questions of gender and ethnicity , criticisms of the accepted canon of modern art , and important social and political influences upon the institution of art are interwoven with the discussion of particular works .

  • A Companion to Contemporary Art Since 1945
    By Amelia Jones

    “The Private Gesture in Public: Art of ... In Rise of the Sixties: American and European Art in the Era of Dissent. ... My thanks to undergraduate scholars Jennifer Row and Brian Hughes FACTURE FOR CHANGE: US ACTIVIST ART SINCE 1950 ...

  • Commissioning Contemporary Art: A Handbook for Curators, Collectors and Artists
    By Louisa Buck, Daniel McClean

    conceptual issues that underpin current patronage, as well as provide a practical 'nuts and bolts' guide to bringing about a successful commission. Some of the key issues around such matters as trust, accountability and relationships ...

  • The Road to Parnassus: Artist Strategies in Contemporary Art: Rise and Success of Glasgow Artist Douglas Gordon and of the...
    By Diego Mantoan

    first of the two strategies meant to discover the real by means of its objects, the second was up at performing a sort of de-constructivist analysis. In both cases, however, the artist presided over the artistic procedure with absolute ...