The long-awaited guide to writing long-form nonfiction by the legendary author and teacher. Draft No. 4 is a master class on the writer’s craft. John McPhee shares insights he has gathered over his long career, and has refined while teaching at Princeton University, where he has nurtured some of the most highly regarded writers of our time. He discusses structure, diction and tone, observing that ‘readers are not supposed to notice the structure. It is meant to be about as visible as someone’s bones’. This book is a vivid depiction of the writing process, from reporting to drafting to revising—and revising and revising. Draft No. 4 is enriched by personal reflections on the life of a writer. McPhee recalls his early years at Time magazine, and describes his enduring relationships with the New Yorker and with his publisher, Farrar, Straus and Giroux. Everything in this luminous book is enlivened by his keen sense of writing as a way of being in the world. John McPhee is a staff writer at The New Yorker. He is the author of thirty-two books. He lives in Princeton, New Jersey and is a recipient of the Ivan Sandrof Lifetime Achievement Award. ‘Draft No. 4 belongs on the short shelf of essential books about the craft.’ Wall Street Journal ‘Matchless teaching from a master of the form—seductive, trustworthy and endearingly modest.’ Helen Garner ‘A master class in writing ... Almost every sentence sparkles ... A superb book.’ STARRED REVIEW, Kirkus Reviews ‘Eight crisply instructive and drolly self-deprecating essays [are] gathered here in this exceptionally entertaining and illuminating book ... [Draft No. 4] is expert, charming, and invigorating.’ Donna Seaman, Booklist ‘McPhee has set the standard for the genre of creative nonfiction ... With humor and aplomb, he recalls anecdotes about how he approached a story: from interviewing and reporting to drafting and revising, to working with editors and publishers ... A well-wrought road map to navigating the twists and turns, thrills and pitfalls, and joys and sorrows of the writer’s journey.’ Donna Marie Smith, Library Journal ‘[Draft No. 4 is] not a general how-to-do-it manual but a personal how-I-did-it of richer depth—not bouillon cubes, but rich stock ... McPhee lays it all out with the wit of one who believes that ‘writing has to be fun at least once in a pale blue moon.’ Publishers Weekly ‘A marvellous new book...A fascinating book for anyone interested in writing.’ Australian
Because you don't want to be writing the same book for the rest of your life. You can Finish Your Book in Three Drafts provided you approach each draft in the right spirit, and know what action steps to take between drafts.
Laila Piedra doesn’t drink, doesn’t smoke, and definitely doesn’t sneak into the 21-and-over clubs on the Lower East Side.
This book will feature lots of information that has never been publicly available before, especially with signing bonuses from the early days of the draft.
33. John O'Sullivan, From Voluntarism to Conscription: Congress and Selective Service, 1940–1945 (New York: Garland Publishing, Inc., 1982), 2–3. 34. On pacifist opposition to the bill, see J. Garry Clifford and Samuel R. Spencer, ...
The long-awaited guide to writing long-form nonfiction by the legendary author and teacher Draft No. 4 is a master class on the writer’s craft.
In the tradition of Neil Gaiman, Joe Hill, & Joyce Carol Oates, the My First Draft journal gives you the space and inspiration to handwrite your novel. ** 200 large sized lined pages ( 8" X 10" ) ** Extra Dot-grid pages at the front for ...
SAVE AS DRAFT @Readers A love triangle evolving over e-mails, texts, and Facebook messages that makes you wonder if the things we leave unsaid—or rather unsent—could change the story of our lives. 6:59 PM Feb. 14th via twitterfeed Sent: ...
We can’t make the process easy for you, but it’s our hope that this book will be a tool you can turn to time and time again when you’re thinking, “Okay … what’s next?” Includes tips for: -Getting published -Finding the right ...
As David L. Kirp, Professor of Public Policy, says, “What happens after school and during the summer also makes a huge difference in shaping children's lives. Research shows that the hours that children spend hanging out on street ...
In Rough Draft, Tur writes about her eccentric and volatile California childhood, punctuated by forest fires, earthquakes, and police chases—all seen from a thousand feet in the air.