James Agee brought to bear all his moral energy, slashing wit, and boundless curiosity in the criticism and journalism that established him as one of the commanding literary voices of America at mid-century. In 1944 W. H. Auden called Agee’s film reviews for The Nation “the most remarkable regular event in American journalism today.” Those columns, along with much of the movie criticism that Agee wrote for Time through most of the 1940s, were collected posthumously in Agee on Film: Reviews and Comments, undoubtedly the most influential writings on film by an American. This Library of America volume supplements the classic pieces from Agee on Film with previously uncollected writings on Ingrid Bergman, the Marx Brothers, Alfred Hitchcock’s Lifeboat, Vittorio De Sica’s Shoeshine, and a wealth of other cinematic subjects.
Whether reviewing a Judy Garland musical or a wartime documentary, assessing the impact of Italian neorealism or railing against the compromises in a Hollywood adaptation of Hemingway, Agee always wrote of movies as a pervasive, profoundly significant part of modern life, a new art whose classics (Chaplin, Dovzhenko, Vigo) he revered and whose betrayal in the interests of commerce or propaganda he often deplored. If his frequent disappointments could be registered in acid tones, his enthusiasms were expressed with passionate eloquence.
Agee’s own work as a screenwriter is represented by his script for Charles Laughton’s unique and haunting masterpiece of Southern gothic, The Night of the Hunter, adapted from the novel by Davis Grubb. This collection also includes examples of Agee’s masterfully probing reporting for Fortune—on subjects as diverse as the Tennessee Valley Authority, commercial orchids, and cockfighting—and a sampling of his literary reviews, among them appreciations of William Faulkner, Virginia Woolf, S. J. Perelman, and William Carlos Williams.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Life at home and abroad during the Depression and during the war-torn 1940s is chronicled in this collection of nineteen essays published from 1933 to 1957 by TIME and Fortune magazines. Reprint.
Some comment on the first volume of Agee on Film " A book that will fascinate anyone who is interested in either films or reviewing , or — for that matter - anyone interested in seeing an astute , vigorous , resourceful intelligence ...
This book, the second volume in The Works of James Agee series, recovers for modern readers the remarkable breadth and depth of Agee's reportage, beginning with his apprenticeship writings for student publications at Exeter and Harvard in ...
James Agee was considered by many people- both in and out of Hollywood- as the most brilliant and perceptive movie critic of his time.
This volume also includes The Morning Watch (1951), an autobiographical novella that reflects Agee’s deep involvement with religious questions, and three short stories: “Death in the Desert,” “They That Sow in Sorrow Shall Not Reap ...
( Mailer ) , 203 Wild Strawberries , 23 Wilder , Billy , 169 Wilson , Edmund , 161 Wister , Owen , 90 Wizard of Oz , The , 23 Wolfe , Thomas , 11 , 15 , 24 Wright , Father Erskine ( stepfather ) , 2 , 38 Wright , Richard , 15 Wyeth ...
The collection sold prolifically throughout the 1960s and ’70s in mass-market editions as a new generation of readers discovered the deep talents of the writer Dwight Macdonald called “the most broadly gifted writer of our American ...
... Louise , 122 Albuquerque , 294 Alexander Nevsky , 93 , 247 , 341 Algiers , 306 Alice Adams , 385 All My Sons , 300 All Quiet on the Western Front , 182 Allen , Fred , 157 , 187 Allen , Gracie , 101 Allen , Lewis , 158 , 169 Allgood ...
The book shattered journalistic and literary conventions.
Five film scripts