This monograph is dedicated to the career of Esther Bubley, one of America’s leading photojournalists. Bubley’s mentor was Roy Stryker, for whom she worked at the Office of War Information in Washington, D.C., and at Standard Oil in New York City. Under Stryker, Bubley learned to document the spectacle of modern industry and the lives of ordinary people in a fast-changing world. From the early 1940s to the late 60s, she also freelanced for national magazines, producing forty photo-essays for Life, a dozen more for the Ladies’ Home Journal’s famous series, “How America Lives,” and numerous projects for non-profit organizations and major corporations alike. At a time when career options for women were limited, Bubley rose to the top of an overwhelmingly male-dominated field.
The 5,000-word essay by photo historian Bonnie Yochelson explains the working life of a photojournalist during the pre-television era when picture magazines dominated the national media. In collaboration with Yochelson, Tracy Schmid, Archivist of the Bubley estate, and Jean Bubley, Executor of the estate, contribute original research and interviews with Esther’s colleagues and contemporaries, highlighting her achievements and accomplishments. The book includes seventy-five of her finest images as well as magazine layouts, which illustrate how Bubley’s photographs were originally seen by millions of Americans. While Bubley’s talent was well recognized at the time–her work was shown in three Museum of Modern Art exhibitions–she was not a celebrity and did little to promote herself. Having received far less attention than she deserves, this book aims to introduce a selection of her best work to a wider audience.
"The approximately 172,000 film negatives and transparencies in the Library of Congress's collection from the Farm Security Administration (FSA), later the Office of War Information (OWI), provide a unique view...
Features 50 evocative images selected from Bubley's work in the Library of Congress's collection.
Esther Bubley's World of Children in Photographs
This book offers an unparalleled historical and theoretical overview of the noir shadows cast when the media's glare is focused on the unseen and the unseemly in our culture.
In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history, and technique to bring photographic education up to date with contemporary photographic practice. --
... I don't know, but I was assigned to cover the Cinderella Ball. Go get plenty of fashion pictures was the editor's parting shot.”35 However, the story's lead photograph is not of a fashion plate but of a bottle of champagne.
Results of a project of the Farm Security Administration and the Office of War Information "to produce an encyclopedic record of American life through documentary photographs"--Back cover.
Selections from the bodies of work they created were presented at the Wattis Institute alongside a number of photographs from the Farm Security Administration, whose photographers had, some 80 years earlier, received similar instructions to ...
"The photographs in this collection, drawn from the most extensive photodocumentary project ever conceived, reflect the wide diversity of what has been called the nations most representative state.
Explores how working-class identity in documentary photography and radical literature of the 1930s and 1940s has been repressed and manipulated to fit the expectations of liberal politicians, radical authors, Marxist historians, feminist ...