Ryan McGinley makes large-scale color photographs of his friends, a group that forms part of New York's Lower East Side youth culture. He uses photography to break down barriers between public and private spheres of activity. His subjects are willing collaborators: drawn from skateboard, music, and graffiti subcultures, they perform for the camera and expose themselves with a frank self-awareness that is distinctly contemporary. The results form a portrait of a generation that is savvy about visual culture and acutely aware of how identity can be communicated through photography. McGinley's newest work signals a departure from the urban youth culture images for which he is best known; he has been working in natural settings outside New York City, creating specific situations for his subjects to lose themselves in the moment. McGinley embraces nature as a site of freedom and captures a sense of buoyancy and release.
Synopsis coming soon.......
This is an insightful reappraisal of the iconic work of two photographic masters - Edward Weston and Harry Callahan.
John Andrew: European Odes
"In the present volume, Charis draws upon her experiences as both model and partner to offer a uniquely informed remembrance not only of Weston's nudes-which comprise the largest single category of his output-but also of the man himself.
Nude Painting
Degas and the Nude is the first book in a generation to explore the artist's treatment of the nude from his early years in the 1850s and 1860s, through his triumphs in the 1880s and 1890s, all the way to his last decades, when the theme ...
Soul Renderings
Jenny Saville
This book, the first devoted entirely to Daniel Sprick's work, accompanies a solo exhibition of recent work at the Denver Art Museum.
On denuding -- Body politics and the nude -- Photography and the nude -- The male nude -- On being nude.