For Now is the result of film-maker Michael Almereyda's year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising. Afterword by Michael Almereyda, with additional texts by Lloyd Fonvielle, Greil Marcus, Kristine McKenna and Amy Taubin.
From 1966 to 1971, Eggleston would occasionally use a two and one quarter inch format for photographs. These are collected and published here for the first time, adding more classic Eggleston images to photography's color canon.
Untitled, 1970s (Connie Edwards) (cat.31) 30, 66 Untitled, 1970–3 (unidentified woman and Chick Reader) (cat.55) 29, ... 29, 174 Untitled, c.1973 (self-portraits (cat.33) 60, 68, 69 Untitled, c.1973 (William Wallace Pearson) (cat.34) 20 ...
A foreword by William Eggleston III offers important insights into the process of selecting and sequencing this series of images.
Over the course of nearly six decades, William Eggleston—often referred to as the “father of color photography”—has established a singular pictorial style that deftly combines vernacular subject matter with an innate and ...
This ten-volume set containing more than a thousand photographs is drawn from a body of twelve thousand pictures made by Eggleston in the 1980s.
DVD Video contains: Commentary, tracks, bonus footage, frame enlargements from the digital remaster.
He has curated over twenty-five exhibitions, including Seeing beyond the Ordinary, The Mythology of Florida, Contemporary Alabama Photography, The Colourful South, Eudora Welty: Photographs from the 1930s and 40s, and A Place and Time ...
Ancient and Modern is a collection of photographs chosen from Eggleston's earliest photographs taken in the American South, Africa and England.
The photos were subsequently exhibited at Cheim & Read gallery in New York and sold. This book reunites these photos in their entirety, and shows the artistic beginnings of a pioneer of contemporary photography.
Elvis's Graceland, a freezer stuffed with food, a Gulf gasoline sign standing in a deserted rural landscape-these are only a few of the iconic images captured by the "democratic camera" of photographer William Eggleston.