"Radical Presence" chronicles the emergence of black performance practices in contemporary art. Where hegemony has tended to define black performance art as an extension of theater, this publication provides a critical framework for discussing the history of black performance within the visual arts over the last 50 years. Over five decades of performance art practices by such artists as Benjamin Patterson, David Hammons, Senga Nengudi, Lorraine O'Grady, Adrian Piper and Ulysses Jenkins are presented along representatives of subsequent generations such as Carrie Mae Weems, William Pope.L, Terry Adkins, Sherman Fleming, Danny Tisdale, Lyle Ashton Harris, Clifford Owens, Kalup Linzy and Adam Pendleton, among others. This publication includes a DVD compilation of performance excerpts and is an essential tool for any understanding of the field.
Looks at the many artists, photographers, choreographers, musicians, composers, poets, writers, and other creative people who made Harlem such an amazing place in the 1920s and 1930s.
Newspapers described the Edgefield mark as being near Horn's Creek . Because the early home of the Miles family was on Horn's Creek , and Rev. John Landrum had preached for years at Horn's Creek Baptist Church , the two families must ...
Shawn Dunwoody
Enhanced by nearly 150 images of painting, sculptures, photographs, quilts, and other work by black artists, offers a survey of African American history which covers the predominant political, economic, and demographic conditions of black ...
Drawn from important public and private collections across the United States, William L. Hawkins: An Imaginative Geography includes approximately 50 of Hawkins's most important paintings, both well-known pieces and others rarely seen.
Generosity: A Conversation with Byron Kim, Janine Antoni, and Glenn Ligon
Published on the occasion of an exhibition held at the Whitney Museum of American Art, New York, Mar. 10-June 5, 2011, the Los Angeles County Museum of Art, Los Angeles, Calif.
New Perspectives: Colin Chase and Whitfield Lovell : February 15 Through March 16, 1990, Frances Wolfson Art Gallery, Mitchell Wolfson...
Betye Saar: Migrations
Un poema para Willie Best