Bill Carman's art is a strange journey of texture, mystery and potential narrative. Using a word, a simple color palette, a moment or nostalgic theme as inspiration, Carman seeks a new discovery with each original work. His head is constantly being filled with the stuff of daily life that, after blending in his mind, is released as if by pressure valve in the form of artwork. Imagery from the Bird's Home showcases sketches and drawings but mostly paintings for commissions, galleries and personal work. These works reflect his unadulterated voice. This collection was designed by Carman to best infuse his creativity into the placement and framing of his pictures. His intent has been preserved through his guiding hands, making this book a true extension of the artist. Captions and sketchbook accents by Carman further enhance this look into his visual world. Bill Carman is in a constant state of exploration. To him, being an artist is a lifestyle not a career as the creation of each new piece includes and is interwoven with his real-world experiences. Carman experiments incessantly and thinks of his paintings as evidence of an ongoing journey rather than an end result. Exhibiting a unique combination of surface, medium and mark-making, he brings a strangely captivating mix of the organic and inorganic in creating a personal symbolism. Carman employs the juxtaposition of seemingly random things and experiences to form exciting original works."
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...