The Park is a theatrical panoply of intertwined narratives of quiet and violent desperation, culminating in a kidnapping, an exploding human, and a brawl involving small creatures and the four remaining members of a set of quintuplets. Inspired by a German comic opera and drawn from scale models built by the author, The Park captures the reader with an accessible presentation that belies its many nuances and details, which may only reveal themselves after a second or third pass. Opening with a geographic layout of the park and a snapshot of the inhabitants of each residence, Gordon's efficient set up allows her to immediately plunge into contextualized scenes of daily life. Arresting and curious illustrations expose the nature of each character's existence and their relationships with others, punctuated by spare dialog. Violence and despair are portrayed casually, with humor and irreverence, but the contrast between the gravity of the content of the panels and the levity in the way they are drawn creates a friction that underscores the societal critique. It gets messy, and there are consequences. And yet, there is hope, resilience, caring, beauty, and art. Jul Gordon has been praised for her "narrative cohesiveness and fluidity" and her "offbeat, corrosive humor." The Park's dichotomous nature may be best described by these two review excerpts: "While there are scenes that sear themselves into your genetic make-up, like a guy in a wheelchair shooting his guns into an empty swimming pool, there emerges a burning, all-engulfing anger from Gordon's vivid comics language." - Oliver Ristau, The Comics Journal "A great touching picture story, by Jul Gordon, excitingly told, wondrously comically drawn, about life as it really is: With the ancestors, the weather, the vermin and love." - Anke Feuchtenberger, Comic drawer
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...