Tracing a timeline from World War II to the present day, Approaching the End rethinks apocalyptic cinema by considering its relationship to film noir, the fatalist crime genre of the 1940s and 1950s that remained pervasive through Hollywood's changing tides. From films as diverse as Kiss Me Deadly, Days of Heaven, The Terminator, and Southland Tales, Labuza investigates the hidden structures underneath, revealing how apocalyptic narratives explore the darker edges of humanity's moral failings.
'Visions of the Apocalypse' examines the cinema's fascination with the prospect of nuclear and/or natural annihilation, as seen in such films as We Were Soldiers, The Last War and Tidal Wave.
"This book takes Hollywood's disaster movies and their codified versions of natural disaster, post-apocalyptic survival, and extra-terrestrial threat as the starting point for an analytical trajectory toward new understandings of how cinema ...