A close examination of Bob Dylan's songs that locates his transgressive style within a long history of modern (and modernist) art. The 2016 Nobel Prize in Literature recognized Bob Dylan as a major modern artist, elevating his work beyond the world of popular music. In this book, Timothy Hampton focuses on the details and nuances of Dylan's songs, showing how they work as artistic statements designed to create meaning and elicit emotion. With Bob Dylan's Poetics, Hampton offers a unique examination of both the poetics and politics of Dylan's compositions. He studies Dylan not as a pop hero, but as an artist, as a maker of songs. Focusing on the interplay of music and lyric, Hampton traces Dylan's innovative use of musical form, his complex manipulation of poetic diction, and his dialogues with other artists, from Woody Guthrie to Arthur Rimbaud. Moving from Dylan's earliest experiments with the blues through his mastery of rock and country to his densely allusive more recent recordings, Hampton offers a detailed account of Dylan's achievement. Locating Dylan in the long history of artistic modernism, he examines the relationships among form, genre, and the political and social themes that crisscross Dylan's work. With this book, Hampton offers both a nuanced engagement with the work of a major artist and a meditation on the contribution of song at times of political and social change.
Bob Dylan: How the Songs Work offers both a nuanced engagement with the work of a major artist and a meditation on the contribution of song at times of political and social change.
This book features 27 integrated essays that offer access to the art, life, and legacy of one of the world's most influential artists.
This witty, personal volume is a distillation of Thomas’s famous course, and makes a compelling case for moving Dylan out of the Rock & Roll Hall of Fame and into the pantheon of Classical poets.
Civil. Rights. Movement. Charles. Hughes. On October 16, 1992, three weeks before election day, Stevie Wonder took the stage at the Bob Dylan Thirtieth Anniversary Celebration to revisit the song that in 1966 gave him a number one ...
" The effect of all this trouble is dizzying. Highly annotated-often to personal, humorous, and hidden effects-the book weaves among genres, chronologies, and various forms of trouble to ask "Where are we in song? Who are we in song?
169 Gordon Ball Lyric Impression, Muscle Memory, Emily, and the Jack of Hearts 180 Claudia Emerson Don Khan and Truck-Driving Wives: Dylan's Fluctuating Lyrics 186 Ben Yagoda Thoughts on “Me and Bobby McGee” and the Oral and Literary ...
Dylan's Visions of Sin
Wilson's reconceptualization of the American project of conversion begins with the story of Henry 'Ōpūkaha'ia, the first Hawaiian convert to Christianity, torn from his Native Pacific homeland and transplanted to New England.
... you're built like a car”—only to find it strangely, wonderfully confounded in the line that follows—“You got a hub cap diamond star halo”—then brought right back to the concrete in the third line: “You're built like a car—Oh, yeah.
Bob Dylan the Poet is a book about Dylan's poetic works.