When Jack Collins leaves a small Connecticut law practice to join one of the nation's most prestigious firms, he trades a nondescript office for an elite one in a gleaming New York City skyscraper. He basks in the pride of working with people far more glamorous that those he left behind, including a famous boss; an alluring co-worker; and a well-known client, Abigail Walker, the wealthy widow of a senator.Jack thinks he's on the path to glory, but he's really a victim of deceit, a pawn in a game he doesn't even know he's playing. His new boss harbors deep secrets, his seductive co-worker is not the person he thinks she is, and his new law firm is at the very center of a blackmail plot involving the widow Walker. Blinded by the allure of wealth and power, Jack doesn't see the danger around him. Time is running out for him to figure out the truth before he loses everything: his career, his marriage, and maybe even his life.
In this essential guide to the turbulent times in which we live, Marcus Gilroy-Ware investigates our era of post-truths and fake news and answers the question of where we can go from here.
During the early twentieth century, anthropologist James Mooney did just that. His estimates, published in 1928, proposed a precontact North American population of approximately 1.1 million. A decade later, anthropologist Alfred Kroeber ...
After the Fact explores how the convergence of technology, politics, and media has ushered in the misinformation age, sidelining the truth and threatening our core principle of community.
“a foundational essay”: E. Shils, “On the Comparative Study of the New States,” in C. Geertz, ed., Old Societies and New States, The Quest for Modernity in Asia and ... Adams, Clark Howell, and later on Melford Spiro and Nur Yallman.
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Indeed, demonstrating that knowledge based on reason plays an essential role in society and that there is more to “knowing” than just acquiring information, leading philosopher Michael P. Lynch shows how our digital way of life makes us ...
Katrina After the Fact is a poignant look at life in New Orleans after the storm.
After the Fact: The Art of Historical Detection, Volume II
Swept away by an admirer's charm, Lina McLaidlaw finds herself settled in a life she could never have imagined.
The conceptual break is occasionally not so clear; instead of red, an orange screen appears occasionally, such as when Hall recalls how he set up courses in film studies in collaboration with the British Film Institute.