Encompassing works on paper, early films, sculptures, laser projections, and mixed-media and video installations, the exhibition spans over six decades of Whitman's innovative career, which has consistently pushed the boundaries of contemporary art. Since his emergence as part of New York's downtown art scene in the late 1950s alongside artists such as Lucas Samaras, Allan Kaprow, Claes Oldenburg, and Jim Dine, Whitman has continually engaged new technologies and challenged traditional genre conventions. Drawing together over 30 works from 1957 through 2018, the survey exhibition highlights a range of pivotal moments throughout Whitman's career and underscores his ever-evolving and experimental approach to art-making. Beginning with a selection of the artist's earliest works on paper from the late 1950s, 61 also includes his first sculptural installation Untitled (1957), an over 10-foot long thread hanging from the ceiling, and continues through to selections from his most recent series Soundies (2015), audiovisual works that feature a sonically evocative still image, such as a burning match or a diving board, complemented with an audio recording of the associative sound. Exhibition: Pace Gallery, New York, USA (26.10. - 21.12.2018).
In the 1970s, Susan Hiller was already using innovative methods to study collective experiences such as dreams or states of trance, memories and visions, later also UFO encounters and near-death experiences.
Notes on the Magic of the State
This catalog was published on the occasion of the exhibition "Journeys to Places Known and Unknown: Moving Images by Janet Biggs and Peter campus" curated by Terrie Sultan at the Sarasota Art Museum.
This is often expressed in terms of the 'skins' of surface, packaging, and wrapping: a photographic study of a person's skin obtained through the technologies Google employs for mapping; a vacuum-formed plastic relief presenting a body part ...
Homo Ludens #2