"Between Species/Between Spaces assembles text and images resulting from a pilot artistic research residency hosted by the Cape Cod Modern House Trust and the Cape Cod National Seashore in Cape Cod, MA. Artists in the book reflect on the geological forces that are reshaping the landscape and ecology of the Outer Cape which illuminate and to some degree mirror the broader global dynamic of instability, loss, and transition we are facing as a result of anthropogenic climate change. The book collects new artworks in a variety of media by ten contemporary artists whose work investigates the relationships between ecological crisis, communities, individual subjects, and the environment - the result of collaborations between visiting artists and researchers at the NPS field station in the National Seashore. An introductory essay by Peter McMahon, founding director of the Cape Cod Modern House Trust, reflects on the Cape as a site of groundbreaking collaborations between artists, architects, designers, and scientists in the middle of the 20th century, led by visionaries Serge Chermayeff, Bernard Rudofsky, Gyorgy Kepes, and Marcel Breuer. An epistolary essay by NPS cartographer Mark Adams, who is also a painter, meditates on the Outer Cape as a site of community with an uncertain future; Adams' own work has indicated that a predicted 4000 year timeframe for the Cape's dunes and sandy shores to erode entirely into the sea may in fact be accelerating under climate change. Contributions by Adams, along with artists Jean Barberis, Joshua Edwards, Marie Lorenz, Nancy Nowacek, Jeff Williams, Lynn Xu, and Marina Zurkow and artist/curators Kendra Sullivan and Dylan Gauthier, who organized the residency and culminating exhibition, present multimodal research into species extinction, terraforming, ecological restoration and regenerative practices, as a window onto the past, present, and future of this unstable place"--
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...