The story told by Mary Dian Molton in About Franz began in 1988 in Küsnacht, Switzerland. Molton, living in Kansas City, Missouri, and having recently completed exams as a Licensed Clinical Social Worker, was taking classes at the Jung Institute in Küsnacht when she inquired about the possibility of visiting the Jung family home. She was directed to contact Franz Jung, Carl Jung’s only son, who was living in the home at the time, to see if a visit might be possible. Indeed, Franz Jung was most gracious in his reply, and Molton’s first visit was followed by several more over the years as well as the exchange of many letters. Over the next eight years, until Franz died in 1996, Molton had the singular opportunity to peer into the inner and outer worlds of Carl Jung through the lens of his son, Franz, while also learning what it was like to be the son of a genius. A battered suitcase in Molton’s office came to collect sets of letters, notebooks, and journals within which she stored the artifacts of her treasured relationship with Franz that brought the world of Carl Jung—his prominent work as a psychologist and writer, his art that was on display at the family retreat at Böllingen, and his role as a father—up close for examination. It took some years and much hesitancy, but Molton eventually opened the suitcase to tell this great and important story about Franz, talented architect and gifted artist, who in his later years became a generous and gracious ambassador for his father, Carl Jung.
The essays and translated documents in Franz Schubert and His World examine his compositions and ties to the Viennese cultural context, revealing surprising and overlooked aspects of his music.
Rosemary Lévy Zumwalt tells the remarkable story of Franz Boas, one of the leading scholars and public intellectuals of the late nineteenth and early twentieth centuries.
Franz Schubert (1797-1828) was born in Vienna of immigrant parents. During his short life he produced an astonishing amount of music. Symphonies, chamber music, opera, church music, and songs (more...
Hungarian composer Franz Liszt (1811–1886) was an anomaly.
His key innovations from this period—which included the addition of exuberant color to his papier-mâché forms, the incorporation of furniture both as art object and as social incubator, and the inclusion of work by other artists in his ...
Franz. Kafka. The Stoker: A Fragment, 1913. Meditations, 1913. Metamorphosis, 1915. The Judgment, 1916. In the Penal Colony, 1919. A Country Doctor, 1919. The Hunger Artist, 1924. The Trial, 1925. The Castle, 1926. Amerika, 1927.
... Leo 52 Dalton , George 12 Darwin , Charles 209 da Vinci , Leonardo 87 , 246n Davy , Georges 9 Defoe , Daniel 30 ... William 131 , 166 el - Wahhab , Abd 111n Engelmann , Paul 21 Erdély , Eva 74 Evans - Pritchard , Sir E.E. ( E.-P. ) ...
Franz Kafka: The Office Writings brings together, for the first time in English, Kafka's most interesting professional writings, composed during his years as a high-ranking lawyer with the largest Workmen's Accident Insurance Institute in ...
This stimulating book investigates some of the sources of Kafka’s personal anguish and its complex reflections in his imaginary world.
At a charity bazaar in Paris the duchess had agreed to take charge of an embroidery booth. A moving picture magic lantern, the newest wonder of the age, was being demonstrated in an adjacent booth. There was a short circuit in the ...