Urban Sketching: Capturing the Views around Us offers the readers with wealth of information on becoming successful urban sketchers and at the same time gives them the encouragement and opportunities to experience the joy and fun of urban sketching. The book gives an overview on various artist tools and materials that urban sketchers will have to familiarize themselves with, aiming to develop and enhance their sketching skills. Readers, novice sketchers, and urban sketchers of various skill levels will find this book as an information source on topics such as line quality, tonal values, perspectives, shades, and shadows, including other elements of art as applied to urban sketching. Readers will find good information in the opening chapter on how urban sketching as an art movement is gaining popularity around the world through the Internet and various social media platforms. The section also highlights information on how urban sketching as a form of hobby is encouraging housewives, students, youths, and ordinary people into becoming urban sketchers themselves. The inclusion of important basic art principles in one chapter will greatly benefit readers, beginners and urban sketchers alike, with ideas and knowledge on how certain objects are being drawn with the intention of gaining unique and personal sketching style. The author’s sketching style and techniques using various media will encourage readers to explore the use of other media. Sketches from other international urban sketchers, with their unique and notable sketching styles, are featured in this book to provide readers and sketchers with an array of great and interesting sketches from which to learn and appreciate.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...