reminisced, O'Keeffe stared straight ahead so as to better see him with her peripheral vision, but on film it looked as if she were refusing to make eye contact with him. While it is a treat to view these two great artists together, ...
In this bestselling autobiography, completed shortly before his death in 1984, Ansel Adams looks back at his legendary six-decade career as a conservationist, teacher, musician, and, above all, photographer.
Over the following decades, Adams added to this collection to create a stunning view of Yosemite in all its majesty. These photographs, the Yosemite Special Edition Prints, form the core of this essential volume.
4 of Basic Photo (Hastingson-Hudson, NY: Morgan and Morgan, 1969), 43. Huber, “In the Land of the Athabaska,” 4. Though these three-picture mountain profiles were a feature of the album, no club member purchased all three pictures.
The full spectrum of Ansel Adams's work in a single volume, offering the largest available compilation from his legendary photographic career capturing American landscapes.
With more than two hundred photographs - many rarely seen and some never before published - this is the most comprehensive collection of Ansel Adams' photographs of America's national parks and wilderness areas.
In 1941 Ansel Adams was hired by the United States Department of the Interior to photograph America's national parks for a series of murals that would celebrate the country's natural...
He made nearly 3,500 color photographs, a small fraction of which were published for the first time in the 1993 edition of ANSEL ADAMS IN COLOR. In this newly revised and expanded edition, 20 unpublished photographs have been added.
LOOKING AT ANSEL ADAMS is a personal and penetrating study that explores Ansel's life as an artist by looking closely at the stories behind 20 of his most significant images.
The Camera--the first volume in Adams' celebrated series of books on photographic techniques--has taught generations of photographers how to harness the camera's artistic potential.