The study presented here shows, through the analysis of the Hellfest, an annual metal music festival held in Clisson in the Loire-Atlantique region of France, that this music constitutes a true culture. To understand the current position the Hellfest holds for the metal community, it is necessary to know its evolution since its creation, to examine the relationships it promotes between the festivalgoers themselves, and between the festivalgoers and the artists, and to examine its role as a place where a community with no real geographical foothold can be united during a given period of time. The various sociabilities that are experienced at the Hellfest cannot be understood without taking an interest in the particular economy set up by the organisers, an economy that contributes to the recognition of the event and influences its sociabilities. The organisers have had and are committed to addressing the wishes of the festivalgoers of all subgenres of metal music, making them actors and not just mere consumers and involving local economic actors as well. The Hellfest allows each metalhead to take a break from his or her life in a particular space, for a defined period of time, offering everyone the opportunity to assert or reassert his or her identity through different rituals. It is thus the pilgrimage of the entire metal community
Suite à son master de sociologie appliquée au développement territorial, Corentin Charbonnier a soutenu une thèse en anthropologie dont est issu cet ouvrage. Festivalier depuis le Fury Fest, journaliste et...
... [Hellfest.fr], consulté le 7 septembre 2014, [http://www.hellfest.fr/975-merci-a-vous-tous], commentaire posté le 25 juillet 2014. 9. TURNER Edith et TURNER Victor, Image and Pilgrimage in Cristian Culture, New York, Columbia University ...
Day after day he records with infinite precision the nature of work on the production line: the noise, the weariness, the dreams stolen by the repetitive nature of exhausting rituals and physical suffering.
From cafes in Madagascar to quiet, dusty towns in the middle of the Kalahari, Edward seeks to understand exactly how the musicians live and struggle-- while experiencing the passion of rock and metal in Africa for himself"--Back cover
Bedroom Rapper is a book for obsessive music fans who are looking for the definitive take on what’s happened in the last two decades of hip hop, from Cadence Weapon, aka Rollie Pemberton: Pitchfork critic, award-winning musician, producer ...
Includes interviews with band members and fans, from countries ranging from the UK and US to Israel and Sweden, this book demonstrates the power and subtlety of an often surprising and misunderstood musical form.
This important book weaves together trauma, black metal theory and disability into a story of both pain and freedom.
Joyner celebrates this forgetten era in a series of whimsical, thoughtful, sometimes tragic but always stunning paintings depicting mechnical men and women inspired by the designs of those toy tin machines.
On 1990's Cowboys from Hell, Anselmo began to exert his will on the musical direction of the band, while the Abbott brothers ... he introduced 'Psycho Holiday', with its whirling stomp, as a song 'about getting away from your own mind'.
This book investigates the demographic trends, attitudes, philosophical beliefs, ethical systems, and behavioral patterns within the scene, seeking to situate death metal in the larger social order.