The 20th century saw radical changes in the way serious music is composed and produced, including the advent of electronic instruments and novel compositional methods such as serialism and stochastic music. Unlike previous artistic revolutions, this one took its cues from the world of science. Creating electronic sounds, in the early days, required a well-equipped laboratory and an understanding of acoustic theory. Composition became increasingly “algorithmic”, with many composers embracing the mathematics of set theory. The result was some of the most intellectually challenging music ever written – yet also some of the best known, thanks to its rapid assimilation into sci-fi movies and TV shows, from the electronic scores of Forbidden Planet and Dr Who to the other-worldly sounds of 2001: A Space Odyssey. This book takes a close look at the science behind "science fiction" music, as well as exploring the way sci-fi imagery found its way into the work of musicians like Sun Ra and David Bowie, and how music influenced the science fiction writings of Philip K. Dick and others.
That music ranged from classical to folk to blues, with one exception made for popular music: Chuck Berry's 1958 rock 'n' roll anthem “Johnny B. Goode.” Timothy Ferris, an editor at Rolling Stone, was among those chosen to sit on the ...
This collection of essays analyzes the style and context of music and sound design in Science Fiction television.
His research interests include Kant's aesthetics, the philosophy of music, and the philosophy of film. Cynthia J. Miller is a cultural ... Her research interests encompass genre, phenomenology, sound, television and fandom.
Explores the use of sound and music in Science Fiction films.
Covering titles ranging from Rocketship X-M (1950) to Wall-E (2008), these insightful essays measure the relationship between music and science fiction film from a variety of academic perspectives.
A groundbreaking approach to sound in sci-fi films offers new ways of construing both sonic innovation and science fiction cinema Including original readings of classics like The Day the Earth Stood Still, 2001: A Space Odyssey, Star Wars, ...
In the hilarious tradition of The Hitchhiker's Guide to the Galaxy, Rob Reid takes you on a headlong journey through the outer reaches of the universe--and the inner workings of our absurdly dysfunctional music industry.
Originating from an annual Science Fiction Film Series in Denver, Colorado, this volume of essays examines 10 films, with a focus on discerning the possible, the unlikely, and the purely science fictional.
It was Robert A. Heinlein's: “Video Interview with David Crosby and Spider Robinson,” cameronknowlton, Nov. 15, 2006, video, 4:41, www.youtube.com/ watch?v=clUviBkic2k. latching on to the work: Bill Robinson, “David Crosby: A Certified, ...
Experimenting with biochips, Vergil Ulam creates instead a microscopic intelligence that mutates. Vergil injects himself with the disease culture to smuggle it out of the country. That is how the end of the world begins.