This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms?
For Granada there five relevant texts : 1 ) A holograph manuscript , heavily copy - edited by Ebenezer Irving , Washington's agent ; this I designate the MORGAN from its present location at the Pierpont Morgan Library .
Arising in part from a joint venture between the Consortium for Computers in the Humanities / Consortium pour ordinateurs en sciences humaines (COCH/COSH; now SDH/SEMI, the Society for Digital Humanities / Société pour l'étude des ...
This book explores emergence of digital humanities in the Indian context. It looks at how online and digital resources have transformed classroom and research practices. It examines fundamental questions: What is digital humanities?
This book looks at the intersection between medieval studies and digital humanities, confronting how medievalists negotiate the "virtual divide" between the cultural artefacts that they study and the digital means by which they address ...
This latest collection in the Debates in the Digital Humanities series seeks to address this deficit in the field.
Entornos digitales: conceptualización y praxis
A Galleries, Libraries, Archives and Museums (GLAM) Lab is a place for experimenting with digital collections and data. This book describes how to open a GLAM Lab and encourages a movement that can transform organisations and communities.