This book is a comprehensive examination of the conception, perception, performance, and composition of time in music across time and culture. It surveys the literature of time in mathematics, philosophy, psychology, music theory, and somatic studies (medicine and disability studies) and looks ahead through original research in performance, composition, psychology, and education. It is the first monograph solely devoted to the theory of construction of musical time since Kramer in 1988, with new insights, mathematical precision, and an expansive global and historical context. The mathematical methods applied for the construction of musical time are totally new. They relate to category theory (projective limits) and the mathematical theory of gestures. These methods and results extend the music theory of time but also apply to the applied performative understanding of making music. In addition, it is the very first approach to a constructive theory of time, deduced from the recent theory of musical gestures and their categories. Making Musical Time is intended for a wide audience of scholars with interest in music. These include mathematicians, music theorists, (ethno)musicologists, music psychologists / educators / therapists, music performers, philosophers of music, audiologists, and acousticians.
This book is a comprehensive examination of the conception, perception, performance, and composition of time in music across time and culture.
This concise book shows you how to use Pd—with help from the libpd library—as an easily embeddable and widely portable sound engine.
Written for adults, this hands-on guide demonstrates how to make easy musical instruments with children.
Paris: Les Editions de Minuit. Deliège, I. (1987). Grouping conditions in listening to music: An approach to Lerdahl and Jackendoff's grouping preference rules. Music Perception, 4, 325–360. Demos, A. P., Chaffin, R., & Kant, V. (2014).
'Wagner... this was my Bob Dylan!' Simon: As a teenager, I found in music a kind of sublimation of everything I was going through personally, but not being able to share with friends or siblings. So I'd say that the role music's played ...
Utilizing thousands of archival documents, chapters in this book unearth and analyzeSelznick's efforts in the late silent-era, his work at three major Hollywood studios, and his accomplishments as an independent producer, including music ...
This useful book is a doorway into the endless joys of making music, for everyone at any age." — Bernard Holland, Music critic emeritus, The New York Times and author of Something I Heard Do you hope to expand your musical circle?
Making Musical Apps Want to turn your mobile device into a musical instrument? ... You can do it with Pure Data (Pd), an open source visual programming environment that lets you manipulate digital audio in real time.
24 Schütz's understanding of a musically given sense of time is. 21 Schütz, “Making Music Together,” 170, 173. Although he refers to Bergson's concept of durée in defining his concept of inner time, he does not require this inner time ...
At least that is not the impression I get from reading the works of our leading expatriates: Henry James, Eliot, and Pound. Physical transplantation did not alter their psychic orientation or erase the layers of their early memories.