For the past 25 years Jennifer Bolande has engaged in an intuitive form of conceptualism, working in a variety of media including photography, sculpture, photo-objects, collage, film, installation, and dance. She has built a career out of being attentive to visual anomalies, making once-ephemeral perceptual and cultural slippages concrete.Her work questions the distinctions between objects and events, and between what is real and what is imagined. Landmarks is the title of the first book dedicated to her work. Sequenced and co-designed by the artist, it carries the viewer into and through the sets of elements, themes, and narratives that recur, build, and dovetail throughout her work.This publication has been produced on the occasion of the first critical survey exhibition by Jennifer Bolande, and spans three decades of her work in a wide array of media. The exhibition began at the Institute for Visual Arts, Milwaukee, Wisconsin, and traveled to the ICA, Philadelphia in January of 2012.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...