This monograph is an interdisciplinary study of the concept of 'fragment' in literature and in critical and literary theory. It discusses the fragment's performativity and function within a historical perspective, stretching from Heraclitus, via the German Romantics and European writers of the Modernist period, to American postmodern manifestations of the fragment. This is the first history of the fragment to appear in English, and it is also the first attempt at producing a consistent taxonomy of literary and critical fragments. The fragments are categorised according to function, not author intention, and the study addresses a number of questions: What constitutes the fragment, when the fragment can only be defined a posteriori? Does the fragment begin on its own, or is it begun by others, writers and critics? Does it acquire a name of its own, or is it labelled by others? All these questions revolve around issues of agency, and they are best discussed in terms of performativity, which means seeing fragments as acts: acts of literature, acts of reading, acts of writing. The book demonstrates how a poetics of the fragment as a performative genre can be created, situating the fragment both as literature and as a phenomenon within postmodern criticism against the background of philosophy, art history, and theology.
Kinds of Literature: An Introduction to the Theory of Genres and Modes
... Autumn, 1952); “Ethan Brand: A Preparatory Investigation” (Hopkins Review, Winter, 1952); “Mysticism as a Solution to the Poet's Dilemma” (in collaboration with Stanley Romaine Hopper (Spiritual Problems in Contemporary Literature, ...
Form: the Silent Language
Without drowning in nice distinctions , however , or getting lost in the undertow of the obvious , we can appreciate the liquid and ample balance between Walden's terminal chapters . Pondering complementary distinctions , we can come to ...
Alongside the 1979 text, this edition contains three additional essays by Suvin that update and reconsider the terms of his original intervention, as well as a new introduction and preface.
A reference guide to various forms of poetry with entries arranged in alphabetical order. Each entry defines the form and gives its history, examples, and suggestions for usage.
Poetic Form David Caplan, Ohio Wesleyan University 0-321-19820-4 Written with humor, this guide aims to convey the pleasures of poetry-a sestina's playful delight, an epigram's barbed wit, a haiku's deceptive simplicity-and the joy of ...
While we have a fairly large corpus of extant Old Norse praise-poetry, the entities we might refer to as poems are in ... of Icelandic Saga'; and Heather O'Donoghue, Skaldic Verse and the Poetics of Saga Narrative (Oxford, 2005), pp.
Alterität und Modernität der mittelalterlichen Literatur: Gesammelte Aufsätze 1956-1976
Resultatet af deres bestræbelser var en række teorier og begreber om litteraturens funktionsmåde . Til deres mest betydningsfulde 6 Henvisningen gælder Den Store Danske . Gyldendals åbne encyklopædi : http : // www.denstoredanske.dk ...