This book is a new account of the surrealist movement in France between the two world wars. It examines the uses that surrealist artists and writers made of ideas and images associated with the French Revolution, describing a complex relationship between surrealism's avant-garde revolt and its powerful sense of history and heritage. Focusing on both texts and images by key figures such as Louis Aragon, Georges Bataille, Jacques-André Boiffard, André Breton, Robert Desnos, Max Ernst, Max Morise, and Man Ray, this book situates surrealist material in the wider context of the literary and visual arts of the period through the theme of revolution. It raises important questions about the politics of representing French history, literary and political memorial spaces, monumental representations of the past and critical responses to them, imaginary portraiture and revolutionary spectatorship. The study shows that a full understanding of surrealism requires a detailed account of its attitude to revolution, and that understanding this surrealist concept of revolution means accounting for the complex historical imagination at its heart.
Here is the story of Surrealism along with a collection of 96 haunting images, revealing the vivid world of surrealism.
Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement.
A collective adventure begun by a small group of intellectuals in Paris in the early 1920s, Surrealism became one of the most influential art movements of the 20th century. This...
Munich : Haus der Kunst ; Paris , Musée des Arts Décoratifs , 1972 . ... Edited by André Breton and Marcel Duchamp . Translated by Claude Tarnaud . New York ... Paris : Musée d'Art Moderne de la Ville de Paris , 1967 .
The classic Photofile series brings together the best work of the world's greatest photographers in an attractive format and at a reasonable price.
The conservative Le Matin focused upon the secluded village of Gambais as the source of the mystery , initially as ... did not agree on the substance of Landru's crimes , they were all incantations of a powerful and terrible secret .
This collection documents the extensive participation of people of African descent in the international surrealist movement over the past 75 years.
has apparently been tended to by a “doctor,” one who enters the scene with the name “Imagination” to pronounce a “discourse on himself.” Imagination claims himself capable of administering to anything “from remembrance to systems of ...
Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali.
... 198, plate 13 Casey, Angel, 68 Castelli, Leo, 94, 95, 99 Castoriadis, Cornelius, 23 Catlett, Lucy, 68–69 Cave, Nick, ... Joseph, 191 Corsiglia, Laura, 46 Corso, Gregory, 43 Cortez, Carlos, “Adios Tecopita,” 163–64 Cortez, Jayne, 68, ...