Questions of Colour in Cinema: From Paintbrush to Pixel
- ISBN-10
- 3039113534
- ISBN-13
- 9783039113538
- Category
- Performing Arts
- Pages
- 242
- Language
- English
- Published
- 2007
- Publisher
- Peter Lang
- Authors
- Wendy Everett, Wendy Ellen Everett
Description
In a series of wide-ranging critical essays, this volume explores the shifting technologies, theories, and practices of colour in cinema, highlighting the intricate relationship between technological, philosophical and artistic concerns, and making a complelling case for colour as a dominant and complex signifier in filmic discourse.
Get the book
Similar books
-
Tracking Color in Cinema and Art: Philosophy and Aesthetics
By Edward Branigan“Mutual Images: Transcendental Reflections on Cinema and the Aesthetic Between Kant and Deleuze. ... “Color and Cinema: Problems in the Writing of History. ... Questions of Colour in Cinema: From Paintbrush to Pixel. Ed. Wendy Everett.
-
A Dictionary of Film Studies
By Annette Kuhn, Guy WestwellThe most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.
-
Early Discourses on Colour and Cinema: Origins, Functions, Meanings
By Eirik Frisvold HanssenEarly Discourses on Colour and Cinema: Origins, Functions, Meanings
-
Chromatic Cinema: A History of Screen Color
By Richard MisekA History of Screen Color Richard Misek. Eisenstein, Sergei. 1977. ... In Cinema Futures: Cain, Abel or Cable, edited by T. Elsaesser and K. Hoffmann, 201–22. ... Questions of Colour in Cinema: From Paintbrush to Pixel.
-
Questions of Cinema
By Stephen Heath"It is essential reading for anyone concerned with the theoretical discussion of cinema, and ideology in general." -- Semiotica ..". Heath is an antidote to the Cinema 101 worldview.
-
Colour Films in Britain: The Negotiation of Innovation 1900-1955
By Sarah StreetFollowing on from the generic experiments with colour detailed in Chapters 8 to 10, this chapter will focus more centrally on questions of film colour aesthetics, asking how colour explores and extends the range of aesthetic ...
-
British Colour Cinema: Practices and Theories
By Sarah Street, Simon Brown, Elizabeth WatkinsThis resonates with questions surrounding the perception of colour and fading. How would you estimate what colour a film might have been when there are multiple film elements that the restoration could utilise?
-
Humphrey Jennings and British Documentary Film: A Re-assessment
By Philip C. LoganHe outlines the complex problems that he, the team and the broader film industry, faced when attempting to create realistic representations of colour on the screen. among the major concerns Jennings faced were technical questions about ...
-
Performing New Media, 1890–1915
By Scott Curtis, Kaveh Askari, Frank Grayecent research on colour and music in early film has begun to broaden our sense of how audiences experienced cinema in the single-reel era, ... Questions of emotion, lyricism, and expressiveness would seem to be removed from ...
-
Cinema and Colour: The Saturated Image
By Paul Coatesand subject to change surely renders questions of harmony irrelevant. ... not arise in monochrome film, whose black, white and grey form a continuous scale; colour alone may be dogged by the question whether certain hues 'go together', ...