although Hans Urs von Balthasar’s earliest publication is from 1925, and although he was a mature forty years old in 1945, there is a deficiency in the secondary literature regarding his early literature, its historical backgrounds and non-theological sources. In this study Balthasar is presented in relation to the various contexts in which he was both drawing upon and responding to from the 1920s to the 1940s. The major contexts analyzed here are the broad central European Germanophone cultural context, the Germanophone Catholic cultural context, the German studies context, the French Catholic renewal literature and theology of the early 20th-century, the popular journal Stimmen der Zeit, Neo-Scholasticism, early 20th-century French Catholic culture, Swiss fascism, National Socialist literature, the Renouveau Catholique, the George-Kreis and many others. Balthasar’s early anti-Semitism and some of the problematic aspects of his early work are also addressed in this study. His understanding of the modern age, his relationships with some key intellectual figures and his later reflections on his early work are also introduced. The book offers a comprehensive study of Balthasar’s early intellectual development.
This collection of essays, gathered under the auspices of Communio editors, represents the most wide-ranging study of the life and work of Balthasar.
In this newly translated book, von Balthasar delves deeper into this exploration of what love means, what makes the divine love of God, and how we must become lovers of God in the footsteps of saints like Francis de Sales, John of the Cross ...
Written in 1951 (with a second edition in 1961), this book takes its place within an impressive array of attempts to wrestle with Karl Barth's theology from a Catholic point of view.
The book shows that von Balthasar’s critics can and should benefit both from the rich and wide-ranging conversations that mark his trilogy and from the critical and constructive engagement with German philosophical modernity offered by ...
Includes criticism and interpretation of the views of the New Testament, Origen, Augustine, Thomas Aquinas, and Maurice Blondel on Hell, salvation, and damnation.
"How do we value the theological in artistic works? In this book Anne Carpenter creates a significant map to the expansive landscape proposed by theological aesthetics.
This volume by Angelo Scola, a longtime friend of Balthasar and a leading scholar of his work, provides the most penetrating introduction to the vast writings of the great Catholic theologian available anywhere.
In this newly translated book, von Balthasar delves deeper into this exploration of what love means, what comprises the divine love of God, and how we must become lovers of God in the footsteps of saints like Francis de Sales, John of the ...
For that reason, this Companion is singularly welcome bringing together a wide range of theologians both to outline and to assess the work of someone whom history will surely rank someday with Origen, John Calvin, and Karl Barth.
difference and difference - excluding identity . ... An essentially dramatic relation is an unreleased tension , an inward relation of terms that resist one another , and a union that frees into ongoing difference .