Places are social, lived, ideational landscapes constructed by people as they inhabit their natural and built environment. An ‘archaeology of place’ attempts to move beyond the understanding of the landscape as inert background or static fossil of human behaviour. From a specifically mortuary perspective, this approach entails a focus on the inherently mutable, transient and performative qualities of 'deathscapes': how they are remembered, obliterated, forgotten, reworked, or revisited over time. Despite latent interest in this line of enquiry, few studies have explored the topic explicitly in Aegean archaeology. This book aims to identify ways in which to think about the deathscape as a cross between landscapes, tombs, bodies, and identities, supplementing and expanding upon well explored themes in the field (e.g. tombs as vehicles for the legitimization of power; funerary landscapes as arenas of social and political competition). The volume recasts a wealth of knowledge about Aegean mortuary cultures against a theoretical background, bringing the field up to date with recent developments in the archaeology of place.
Ours is a death-denying society. But death is inevitable, and we must face the question of how to deal with it. Coming to terms with our own finiteness helps us discover life's true meaning. Why do we treat death as a taboo?
Caprice De Luca, asked to spruce up her old high school friend's mansion in order to sell it, instead has to help solve a mystery when her friend's husband is found murdered.
Skepticism in Early Modern European Drama Leonie Pawlita ... In this critical situation, the scientists, the philosophers, and the theologians would either have to fight for survival or abandon the quest for certainty. Gradually, first ...
This volume, with essays by leading archaeologists and prehistorians, considers how prehistoric humans attempted to recognise, understand and conceptualise death.
A truly landmark study, The Hour of Our Death reveals a pattern of gradually developing evolutionary stages in our perceptions of life in relation to death, each stage representing a virtual redefinition of human nature.
... Death of a Salesman, ed. Eric J. Sterling (Amsterdam: Rodopi, 2008), 123. 42 Meyer, 135. 43 Miller, Death, 138. 44 Miller, Death, 31. 45 Matthew C. Roudané, “Death of a Salesman and the poetics of Arthur Miller,” in The Cambridge ...
The corpse was thus removed into a room nearest the scaffold, where the hangman took the rope from the neck, which on the knot to the left ... He then stripped off his clothes, his prerequisites, and the body lay naked on the floor.
In Playing On: Re-staging the Passion after the Death of God, Mirella Klomp shows how the Dutch playfully rediscover Christian heritage.
... death as long as they are someone else. (box 15, folder 1, HRC) (1) What do actors do? We play parts to keep from dying. That's what you're all doing here. You're sinking deeper and deeper into your roles. [illegible] The more you fear ...
This study is a threefold investigation of understandings of embodiment - as displayed in the playhouses, courthouses, and anatomy theatres of London between 1540 and 1696. These dates mark the...