The volume asks how the literatures of the Americas and the Caribbean present multiple or internally differentiated spaces and how these are distinguished or traversed by different temporalities. The historical and (post)colonial experiences of these areas turns them into especially fertile ground for the exploration of the connections between landscape/geography and historical/temporal palimpsests as well as the specificities of literary form. The contributions are dedicated to individual, yet conceptually interconnected studies of staggered, multiple, non-simultaneous temporalities in modern and contemporary literature. The volume adopts a comparative perspective throughout and intends to foster the dialogue between the study of Latin/American and Caribbean literatures—in Spanish, Portuguese, French, and English. Therefore, the individual essays are not grouped according to geographical or linguistic areas, but follow a trajectory from spatiotemporal constellations of the 19th century to ruined/catastrophic landscapes and the geopoetic inscriptions of time in regions. The essays should appeal to all readers interested in World Literature, Hemispheric Studies as well as temporal approaches to space and geography.
In this collection of essays the reader will follow Leopold Bloom's footsteps around Dublin, become immersed in Les Misérable's revolutionary Paris, feel the chill wind of Emily Brontë's Wuthering Heights, and hear the churning paddles of ...
An orphaned girl transforms the lives of siblings Matthew and Marilla Cuthbert through her exuberant personality and love of the island landscape that becomes her home. Anne of Green Gables's famed red-headed heroine, whom generations ...
Reading Landscape in American Literature
Acting with Words Without Borders, which fosters international exchange through translation and publication of the world’s finest literature, Aslan has purposefully situated this volume in the twentieth century, beyond the familiar ...
Then, turning to a friend, or perhaps the stranger who read the book over their shoulder on acrosstown bus ride, they will delight in passing it on.
This book will be a welcome addition to collections in American literature, critical theory, and philosophy.
Sämtliche Werke, edited by Walter Keitel. Series III, vol. 1: Aufsätze und Aufzeichnungen, edited by Jürgen Kolbe. Munich: Hanser. Fontane, Theodor. 1980. “Der Stechlin.” In Sämtliche Romane, Erzählungen, Gedichte, Nachgelassenes, vol.
(“Miami: Una ciudad tomada”) Based on Medina's and the Suburbano collective's work, I contend that we are in fact witnessing the formation of a new narrative style, a literary boom that is different from the Latin American boom and the ...
Immersing us in these spaces, Eubanks helps us understand that Mississippi is not only a state but a state of mind. Or as Faulkner is said to have observed, “To understand the world, you must first understand a place like Mississippi.”
... navigate their way through this particular form of liminal3 landscape in which both the body and the dance exist in a process of becoming. This chapter emerges at a stage in my on-going research into site-specific dance practice in ...