Duke Ellington war einer der bedeutendsten Jazzkomponisten des 20. Jahrhunderts. Er war auch ein Pianist allerhöchsten Ranges. Sein eigentliches Instrument aber war seine Bigband mit ihren von ihm ganz individuell gestalteten Sounds. Zudem aber war Duke Ellington vor allem ein selbstbewusster Repräsentant Afro-Amerikas.Wolfram Knauer, Fachmann und Fan, stellt die Musik dieses Ausnahmekünstlers in den Mittelpunkt seines Bandes: die persönliche Herangehensweise Duke Ellingtons, die Aufnahmen, die neben den Strukturen der Musik immer auch deren besondere Interpretationsweise dokumentieren, die Klangsätze, das Streben nach Perfektion mit der dazugehörigen Freude an der Improvisationsfreiheit, am Risiko und am Unerwarteten. Ein Personen- und ein Songregister erleichtern die Orientierung.
Includes over one hundred essays focusing on Ellington as a person, musician, bandleader, and musical philosopher, and offering insight into Ellington's position in American musical culture
Who Was Duke Ellington? follows the exciting, multifaceted journey of this musical genius and takes a look at what truly makes Ellington an artist "beyond category."
A year earlier he had hiredhis first fulltime vocalist, Ivie Anderson, who had been singing with Earl Hines's band in Chicago. Anderson had alow, pointed voice with crystalline diction and a cutting nasal edge.
“'Jump for Joy' Run Closes Saturday,” California Eagle (25 September 1941), Duke Ellington file, 1941–44, IJS/RU; ... Duke Ellington, “We, Too, Sing 'America,'” in Tucker, Duke Ellington Reader, 147; Stratemann, Duke Ellington, 242, ...
Beginning with his birth in Washington, DC, through his first bands and work at the legendary Cotton Club, to his final great extended compositions, this book gives a thorough introduction to Ellington's music and how it was made.
Provides an introduction to the life and biography of African American musician Duke Ellington, who influenced jazz and popular music.
Discusses the life and work of Duke Ellington, who remains one of the most influential jazz composers, pianists, and band leaders.
... Wallace, 174n, 216, 218, 219, 252 Joplin, Scott, 32–33 Jordan, Louis, 267-68 Jump For Joy, 222, 223–25, 227–36, 257–60, 318 “jungle music,” 90 “Junk Man Rag,” 31 Kalmar, Bert, 104 “Kansas City Man Blues,” 44 Kaye, Sammy, 279 Keeler, ...
Someone told him about a young ragtime pianist named Harvey Brooks, who lived in Philadelphia. On his way backto Washington, Duke stopped off in Philadelphia and went to look him up. Harvey Brooks was probably about 16 or 17 when Duke ...
Accessible and affordable illustrated biography