Peter Swirski looks at American crime fiction as an artform that expresses and reflects the social and aesthetic values of its authors and readers. As such he documents the manifold ways in which such authorship and readership are a matter of informed literary choice and not of cultural brainwashing or declining literary standards. Asking, in effect, a series of questions about the nature of genre fiction as art, successive chapters look at American crime writers whose careers throw light on the hazards and rewards of nobrow traffic between popular forms and highbrow aesthetics: Dashiell Hammett, John Grisham, William Faulkner, Ernest Hemingway, Raymond Chandler, Ed McBain, Nelson DeMille, and F. Scott Fitzgerald.
Years later, when Justice is a star reporter on the L.A.Times, and his lover Jacques lies dying from Aids, a story that Justice writes ... and arranges a TV spot aimed at the votes of the gay electorate on the site of the Lusk killing.
100 American Crime Writers features discussion and analysis of the lives of crime writers and their key works, examining the developments in American crime writing from the Golden Age to hardboiled detective fiction.
At one extreme might be placed the American Jacques Futrelle's “The Thinking Machine,” a virtually faceless Holmes substitute; at another extreme is the Englishman Arthur Morrison's Martin Hewitt, in many respects the opposite of Holmes ...
The Michael Curtiz version (1938) remains definitive, not just because of the performance of Er- rol Flynn, but because of the unctuously nasty Claude Raines and Basil Rathbone in the roles of the usurper and his functionary.
detective - as - hero ' and ' detective - as - killer / voyeur ' . ... Or , as James Ellroy says , trying to explain his now phenomenal popularity in the United States and also in Europe , ' I suppose in the end , readers love this kind ...
As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both.
Carmen Callil, Subversive Sybils: Women's Popular Fiction this Century (Bury St Edmonds: St Edmundsbury Press Ltd., 1996), p. 15. 19. Ibid., p. 6. 20. Walton and Jones, Detective Agency, p. 37. 21. Merja Makinen, Feminist Popular ...
Spillane , Mickey : “ The Screen Test of Mike Hammer " by Mickey Spillane was first published in Male , July 1955. Copyright © 1955 by Mickey Spillane . Reprinted by permission of Mickey Spillane Productions .
Neon Noir, the follow-up to Woody Haut's highly regarded Pulp Culture, brings the story of American crime fiction and film uptodate. From the Kennedy assassination to the Vietnam War and...
As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both.