Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,0, Free University of Berlin, course: Writing the City: Representations of London, language: English, abstract: In 1997, Zadie Smith, a young talented graduate from Cambridge, set out to write a novel about a simple white working-class Londoner who lives a good life throughout the 20th century by accident. Three years later, the author published her fictional debut,White Teeth, which gives its readers a panoramatic view of multicultural British society. The plot evolves around three families of different ethnic origins living in north-western London. In contrast to other initial works of contemporary Black British novelists, Zadie Smith’s first novel is not the usual account of Black youth experience in Britain written from an autobiographical perspective. On more than 500 pages, the Anglo-Jamaican author explores a wide range of themes such as Second World War experiences, first-generation migrant life in the diaspora, recent British youth culture, intergenerational family conflicts, radical religious fanatism and biogenetical engineering. Despite its numerous discourses, diverse characters and multiple time-layers, all of the novel’s addressed issues center around the problem of the individual person forming an authentic identity in a multicultural society and the establishment of a new national identity in postcolonial Britain. Zadie Smith explores the characters’ identity conflicts before the background of their family history. However, while genetic inheritance, cultural origins and prehistory seem to play an important part in the individual’s development, chance and personal choice are deceisive factors which have the potential to overrule any apparently predetermined life path. History and fate are constantly intermingled throughout the narrative, which is at the same time a migrant novel, bildungsroman and family saga.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
HENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
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Thompson , E . in Pollard 1923 . Thompson , J . Shakespeare and the Classics , 1952 . Tillyard , E . Shakespeare ' s History Plays , 1944 . Timberlake , P ...
In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
Similarly, he deplored the picturestories of A. B. Frost in his Stuff and Nonsense ... When he'd eaten eighteen, He turned perfectly green, Upon which he ...
Renew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
D'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
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