Scientific Essay from the year 2008 in the subject English Language and Literature Studies - Literature, grade: H1, University of Melbourne, course: Poetry, language: English, abstract: Sonia Sanchez is best known for her strong stance on race and gender; this is the heart of her poetry. Sanchez explores her identity as an African American woman through a separatist lens. Influenced by the movement of Malcolm X, she focuses on what sets her race apart and embraces that. Her poetry proudly establishes black identity through an assessment of its present, past, and future state. This is what probably struck me about Wounded in the House of a Friend (1995), unlike Sanchez’s previous works, the title in itself speaks to anyone. It suggests a powerful image of universal pain, one which is clearly readable regardless of race and gender. Yet, oddly enough, this title is somewhat contradicted by the actual content of the book. Overall, Sanchez’s poetry seemed to distance itself from the white/male reader, often only speaking to its target audience (black women). This may have possibly been Sanchez’s desired effect. Considering her signature ‘separatist’ style, she at times uses language and voice to alienate the Caucasian/male reader rather than inviting them in. The first poem (also entitled) ‘Wounded in the House of a Friend’ offered me a clear image of pain. Initially, this poem invited me in, allowing me to immerse myself in the emotion. It was set up as a series of internal, private, monologues between husband and wife, the narrative taking its course as the husband admits to infidelity. Structurally, this offered me a connection to the writing, as I experienced the uninhibited emotions of these characters, projected through Sanchez’s exploration of ‘natural’ voice.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
HENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
“Justin Timberlake, 'The 20/20 Experience': Is There a Visual Preference for Whiteness?” Interview with Marc Lamont Hill. HuffPost Live, 27 March 2013.
Thompson , E . in Pollard 1923 . Thompson , J . Shakespeare and the Classics , 1952 . Tillyard , E . Shakespeare ' s History Plays , 1944 . Timberlake , P ...
In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
Similarly, he deplored the picturestories of A. B. Frost in his Stuff and Nonsense ... When he'd eaten eighteen, He turned perfectly green, Upon which he ...
Renew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
D'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
... i ge 3 let S deal ing ge a lings ge at t Joe a f J & at n ce at h-ced ge at hly ue to 3 sec ge is a te debit de cap it a t e u ge c e it ful ge c e i ve ...