Seminar paper from the year 2011 in the subject American Studies - Literature, grade: 1,3, University of Würzburg (Philosophische Fakultät I), course: Race, Gender and Identity in Postmodern American Theater, language: English, abstract: How are Kushner ́s characters in "Angels in America" dealing with the new challenges in the changing postmodern world of the 1980s? Which position does the play take towards the ambivalence of progress? These questions are now to be analysed in the following term paper. Therefore the two positions contra and pro progress are closely examined and carefully weighed up against each other. Not to go beyond the scope of this term paper, only the main points of the notion of progress in "Angels in America" are worked out and exemplary substantiated. "[Y]our ambivalent about everything", Belize characterizes Louis suitably in one of their discussions about politics and society. As this quotation is linked to one character of Tony Kushner ́s "Angels in America", which consists of the two books called "Millenium Approaches" and "Perestroika", one could surely transfer this statement to the whole play. Ambivalence plays a main role within the drama and consequently throws up many significant questions. One of them deals with the notion of progress. Kushner takes up the theme of progress and throws light on its ambivalent character. Progress, especially in today ́s postmodern era, can be connected to something positive, considering the amount of knowledge and new technologies, which make life easier. Moreover personal progress implies strive for improvement, which is inherent in every human being. Nevertheless a progressing world is a world in which things are getting faster and often uncontrollable. Traditions and old values die, while individualisation and isolation grow, which leads to the rise of uncertainty.
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Similarly , Nadja in " Word for Word " is reluctant to call Mr. Frankel by his first name , Ludwig , an act which would signal an acceptance of his appropriateness for her , since Ludwig — like Robert , Ernst , Fritz , Erich , Franz ...
Ellen went to Mrs. Donahue's house for help and Pius was soon hurrying to St. Lucy to telephone for a doctor. When Pius returned he brought the Carriers who remained all night. Bill and Pius helped the doctor set the bone and bind in ...
The mother was on Donahue. 60 Minutes did the doc and they'll repeat the news at ten. People dying, people killing, people crying— you can see it all on TV. Reality is really on TV. It's just another way to see— starvation in North ...
Philip P. Wiener . New York : Charles Scribner's Sons , 1973 . Plato . Plato : The Symposium . Trans . and ed . Alexander Nehemas and Paul Woodruff . Indianapolis : Hackett Publishing Company , 1989 . Plummer , Kenneth , ed .
When the credits started to roll and Carmen, needing her meds and cigarettes, handed Ryan her car keys, Mary Ellen stared in disbelief. “She's giving him her keys!” she thought, eyeing Pepe, trying to catch his attention because he knew ...
Here she debuts a provocative new story written especially for this series.
We make our way slowly into the assembly hall, where 26 identical pillars cut from one rock line the sides. A fat stupa cut of the same rock stands at the innermost part of the hall; 20 feet high, it's shaped like an overturned bowl ...
... 126 , 134 174 , 203 , 211 , 212 , 216 Theodorides , Aristide , 93 Wiseman , D. J. , 50 , 51 , 67 , Thomas , D. Winton , 170 , 84 , 85 , 89 , 93 , 170 , 200 171 , 200 Thompson , R. Campbell , Wolf , Herbert , 126 22 , 47 , 113 Wright ...
Everyone seems to have got something out of the speeches, the Metaphysical Revolution was declared, and Shelley's wind is now scattering “sparks, my words among mankind” (the passage Kathleen Raine quoted). We now hope it translates ...