Wiel Arets is one of the most influential architects in Holland today. His international reputation is founded on such works as his pharmacy and apartment building in Hapert (1988-1989), the Academy of Art and Architecture in Maastricht (1990-1993) and the headquarters for the AZL Pension Fund in Heerlen (1990-1995). Wiel Arets' architecture disrupts the smooth hermeticism of modern block building. He juts forward building sections, gear-toothed fashion, into the existing city plan. The buildings are incised into the city tissue like strange bodies, causing us to question and tug at stale conceptions of urban environment. All are characterized by the pure severity of materials used, exacting attention to detail and a multiplicity of natural lighting effects which enfold in the building's interior. Film-like, this book documents twelve Arets buildings and projects from the 1990s with photographs by Kim Zwarts. Ulrike Jehle-Schulte Strathaus' foreword and Bart Lootsma's concluding essay clarify the theoretical underpinnings of Arets' architecture. Specially selected authors have been invited to comment on individual projects.
Strange Bodies takes the reader on a dizzying speculative journey that poses questions about identity, authenticity, and what it means to be truly human.
Nicholas Slopen has been dead for months.
STRANGE BODIES.
Strange Bodies
To date, survival rates for xenotransplantation have most frequently been measured in hours, not months or even days (Cooper, Gollackner, and Sachs 2002), thus paralleling the early developments of allographs half a century ago (Starzl ...
Nevertheless, his impotence does arise from phallic panic, manifested as the ®ight from woman. Thinking back to his sexual heyday, Biff recalls when “he suddenly lost it. When he could lie with a woman no longer” (208).
67 Gertrude 'Ma' Rainey, 'Prove It On Me Blues', June 1928, Paramount 12668. Reissued on Ma Rainey, Milestone M-47021, 1974. 68 See text of Memphis Willie B. Borum' s 'Bad Girl Blues' in Sackheim (1969: 288). 69 Gertrude 'Ma' Rainey, ...
In The Golden Thread, Ann Copeland's last book of stories, Claire Delaney emerged from her convent after eleven years as a nun. That book won Copeland a place as a...
Fremdkörper
Drawing on and engaging with philosophers from across the centuries, Jenny Slatman here develops a novel argument: that our own body always entails a strange dimension, a strangeness that enables us to incorporate radical physical changes.