Since the late sixties, American artist Michelle Stuart (born 1938) has become internationally known and respected for a rich and diverse body of work based on her lifelong interest in the natural world and the cosmos. Her multifaceted creativity and broad range of inspirations have led to her working in fields as diverse as drawing, sculpture, photography, video, installation and site-specific earthworks. Throughout her career, she has pursued a subtle and responsive dialogue with the natural world quite unlike the epic, at times seemingly grandiose, gestures of much contemporary Land Art. During the seventies she became associated with the feminist art movement, co-founding the journal "Heresies" with Lucy Lippard. Along with wide-ranging insights into Stuart's choice of media and subject matter, this book emphasizes Stuart's radical redefinition of the medium of drawing.
Exhibition on Michelle Stuart photographs
Opening with an introduction by critic Lucy Lippard, whose decades-long friendship with Stuart gives her unique insight into her practice, the book features journal entries interspersed among its 160 illustrations, conveying an eloquent ...
Perfect Pies shares nearly eighty delicious recipes, many of them National Pie Championships winners: There are desserts bursting with fruit (Country Apple Pie, Blueberry-Blackberry Pie), crunchy with nuts (Chocolate-Pecan-Bourbon Pie, ...
Michelle Stuart, Voyages: Exhibition March 20-April 12, 1985, Hillwood Art Gallery, School of the Arts, Long Island University, C.W. Post...
An exhibition in print curated by artist, Michelle Stuart, published by R&F Handmade Paints.
Her home-cook–friendly recipes are creative, easy, and delicious. I’m a better baker because of this wonderful book. Happy Dance!”—David Venable, QVC host and author of In the Kitchen with David
Michelle Stuart, the Elements 1973-1979
MICHELLE STUART: The Nature of Time
In How the West Was Worn, Holly George-Warren and Michelle Freedman offer a sartorial history of the American West.
"Whether idly leaking their procreative juices or stoutly maintaining their integrity, the apportioned seeds [i.e., ... 301-2; John Dewey, Art as Experience (New York: Putnam, 1934), 108; and Suzanne Langer, Feeling and Form (New York: ...