Filled with beautiful works by Edgar Degas, Mary Cassatt, and other Impressionist painters, this richly illustrated book showcases artistic portrayals of France's millinery trade during the Belle �poque. Filled with beautiful works by Edgar Degas, Mary Cassatt, and other Impressionist painters, this richly illustrated book showcases artistic portrayals of France's millinery trade during the Belle Époque. Though best known for his depictions of dancers and bathers, Edgar Degas repeatedly returned to the subject of millinery over the course of three decades. In masterpieces such as The Millinery Shop (1879-86) and The Milliners (ca. 1898), he captured scenes of milliners fashioning and women wearing elaborate, colorful hats. Featuring sumptuous paintings, pastels, and preparatory drawings by Degas, Cassatt, Manet, Renoir, and Toulouse-Lautrec, among others, this generously illustrated book surveys the millinery industry of 19th-century Paris. Peppered throughout with photographs, posters, and prints of French hats, this book includes essays that explore Degas's particular interest in the millinery trade; the tension between modern fashion and reverence for history and the grand art-historical tradition; a chronicle of Parisian milliners from Caroline Reboux to Coco Chanel; and examples of how the millinery trade is depicted in literature. Brilliantly linking together the worlds of industry, art, and fashion, this groundbreaking book examines the fundamental role of hats and hat-makers in 19th-century culture.
Peppered throughout with photographs, posters, and prints of French hats, this book includes essays that explore Degas's particular interest in the millinery trade; the tension between modern fashion and reverence for history and the grand ...
Simply put, the idea of Monet's art as in crisis seems formalist. ... Expressionist artists, critics, and curators in the 1950s and 1960s, among them Clement Greenberg and William Seitz, whose 1960 text on Monet saw wide circulation.
Degas and the Nude is the first book in a generation to explore the artist's treatment of the nude from his early years in the 1850s and 1860s, through his triumphs in the 1880s and 1890s, all the way to his last decades, when the theme ...
... Corvi Circus, 19, 19 Gaucherel, Léon (1816–1886), Egyptian temple, 71, 135 Gauguin, Paul (1848–1903), 107, 108, ... 93 Laurent, Ernest (1859–1929), 52 Lehmann, Henri (1814–1882), 52, 76 Leonardo da Vinci (1452–1519), 108 Le Roux, ...
Vincent van Gogh Dutch, 1853–1890 Self-Portrait, [1887] Oil on artist's board, mounted on cradled panel, 16!/8 × 13A in ... 20; Museum of Fine arts, boston, Art in New England: Paintings, Drawings, Prints from Private Collections in New ...
" "This book is the catalogue for an exhibition that will be held at the National Gallery in London from I November 2000 to 28 January 2001, then travels to the Van Gogh Museum in Amsterdam from 2 March 2001 to 20 May 2001 and the Clark Art ...
Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his ...
European Journal of Marketing, 45(1/2), 277–294. Levitt, T. (1980). Marketing success through the differentiation of anything. Harvard Business Review, 58(1), 83–91. Miller, R.B., Heiman, S.E., & Tuleja, T. (2005).
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as ...
In addition to pages of exquisite reproductions of works by Pissarro and his contemporaries, this volume features illuminating essays about his influences on Van Gogh, his approach to the female figure, and the role of synthesis among the ...