A visually stunning compilation of Richard Prince's 40-year-long project of examining the cowboy as an American symbol. In the mid-1970s, Richard Prince was an aspiring painter working in Time Inc.'s tear sheet department clipping texts for magazine writers. After he removed the articles, he was left with advertisements: glossy pictures of commodities, models, and other objects of desire. He began to re-photograph the advertisements, cropping and enlarging them, and selling the artworks as his own. Prince paid particular attention to the motif of the cowboy, often depicted in advertisements for Marlboro cigarettes. He had an explosive effect on the art world, provoking lawsuits and setting auction records for contemporary photography. More recently, he has revisited copies of TIME from the 1980s and 90s using contemporary technology to produce a new series of work, extending his preoccupation with the cowboy in the era of Instagram to demonstrate that the stakes around originality, appropriation, and truth in advertising are as high as ever. This book showcases how Prince has mined the mythological American West within the artwork he produced during the last four decades. Each chapter contains a brief introduction, followed by artwork by Prince, and concludes with a section of related ephemera, relics, and fragments that aid in contextualizing Prince's work. Once again challenging the conventional limits of photography, Prince is reigniting the debate he sparked forty years ago through the lens of cowboys and the West.
Recent essays by Richard Prince; reprints of historical texts by Eve Babitz, Joan Didion, and Kim Gordon; and a new essay by Rachel Kushner. Exhibition: Gagosian West 24th Street, New York, USA (01.11-19.12.2018).
Tiré du site Internet d'Amazon.com: "Prince has pioneered appropriation since the mid-1970s, mining images from mass media, advertising, and entertainment to subvert and redefine concepts of authorship and ownership.The New Portraits ...
Perfectly beautiful yet strangely faceless, hundreds of interchangeable fashion models and bare-breasted biker chicks find themselves reincarnated in the artwork of Richard Prince. Prince recycles these American (male) pop culture...
A year after Richard Prince's Untitled (cowboy) photograph set a record for the most expensive photograph ever sold at auction, a study of a work from Richard Prince's series of...
Ilse Zhalina is the daughter of one of Melnek’s more prominent merchants. She has lived most of her life surrounded by the trappings of wealth and privilege. Many would consider...
There are no smoking cowboys swinging their lassoes or bare-breasted blondes on heavy motorcycles in this droll collection of highly expressive drawings and watercolors. Au contraire, the inventive shapes and...
After opening in New York, the 1953 GM Motorama went to several major cities across the country, including Miami, Chicago, and Los Angeles. By the time it reached San Francisco at the end of April, more than a million people had seen ...
"A distinction [Prince's] work brings out in particular is between pictures & what you do with pictures, between art & how art is used."-Stuart Morgan, Artscribe
Tiré du site Internet bookhorse.ch: "French photographer Patrick Cariou accused Richard Prince of copying 41 images of rastafarians and landscapes from his book Yes Rasta, which Richard Prince was using for a series of paintings and ...
Richard Prince: Jokes and Cartoons ISBN 3-905701-83-9 / 978-3-905701-83-8 Paperback, 8.5 x 11 in. / 216 pgs / 107 color. / U.S. $35.00 CDN $42.00 August / Art