Explore Mark Bradford's career through his storied End Papers works. Drawing on the diverse cultural and geographic makeup of his South Los Angeles community, Mark Bradford is known for his wall-size collages and installations from scavenged materials. These artworks are responses to the impromptu networks--underground economies, migrant communities, or popular appropriation of abandoned public space--that emerge within a city. This book focuses on some of Bradford's earliest works which take the form of subtle abstract collages made from end papers, small translucent paper that protects hair from overheating, which he learned to use while working as a hairdresser in his mother's salon. Part painting and part collage, the colored End Papers works feature grids that contain various hues that pulsate across the surface. Begun when he was a student at the California Institute of Art in the 1990s, the End Paper paintings were the beginning of his process of combining paper and paint. Bradford said recently, "I learned my own way of constructing paintings through the End Papers--how to create space, how to use color. And how to provide a new kind of content. They were the beginning for me." The exhibition and book examine the use of end papers as a fundamental motif in Bradford's career and how he has returned to it in the past two decades. The essay by Auping discusses how these early works led to his use of merchant's posters, broadsides, and even billboards he found in downtown Los Angeles to make his paintings. Published with the Modern Art Museum of Fort Worth
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
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Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...