Featuring rarely seen multimedia works by the revered cult filmmaker David Lynch, this revelatory book shows how he applies his powerful imagination and visual language across genres. David Lynch has always been in the spotlight as a filmmaker, directing some of the most iconic movies ever made, but as a visual artist, he is less widely known. Lynch delights in the physicality of painting and likes to stimulate all the senses in his work. This book, now available in a paperback edition, brings together Lynch's paintings, photography, drawings, sculpture and installation, and stills from his films. Many of these works reveal the dark underpinnings behind Lynch's often-macabre movies. Others explore his fascination with texture and collage. Throughout, Lynch's characteristic style--surreal, stylish, and even humorous--shines through. An introduction by music journalist and Lynch biographer Kristine McKenna, along with a thought-provoking essay by curator Stijn Huijts, offers fascinating new information and perspectives on Lynch's life and career. This book reveals an unexplored facet of Lynch's oeuvre and affirms that he is as brilliant a visual artist as he is a filmmaker.
David Lynch: Interviews is the first survey of conversations with the director covering the broad spectrum of his artistic activities throughout his career, including, filmmaking, painting, music production, and furniture design.
Robert Julian ( London : BFI , 1995 ) , 155 . 3. Chion , David Lynch , 156 . 4. One should resist the idea that the many roles Laura occupies testify to Lynch's status as an ironic or postmodern filmmaker who sees identity as variable ...
The editors, William J. Devlin and Shai Biderman, have compiled an impressive list of contributors to explore the philosophy at the core of David Lynch's work.
Indeed, the image recalls American artist Edward Hicks's idealistic nineteenth-century folk painting The Peaceable Kingdom, in which Indians and white settlers, and lions and lambs, happily coexist in the bosom of nature.
This is often conveyed through the addition of text, wildly distorted forms, and disturbances in the paint fields that surround or envelop his figures.
Michel Chion's study of the film and television work of David Lynch has become, since its first English publication in 1995, the definitive book on one of America's finest contemporary directors.
We enter these famously cinematic interiors to be wrapped in plastic, the fundamental substance of Lynch’s work. This volume revels in the weird dynamism of Lynch’s plastic worlds.
"Prize-winning film director David Lynch is one of those unconventional artists who creates a world so off-beat and eccentric that it takes on its own hyperreality. Surreal and mind-bending, Lynch's...
A revealing look at the life and work of David Lynch, one of the most enigmatic and influential filmmakers of our time Every frame of David Lynch's work, from the '70s midnight movie Eraserhead to the groundbreaking TV series Twin Peaks, to ...
In this volume, Lynch speaks openly about his films as well as about his lifelong commitment to painting, his work in photography, his television projects, and his musical collaborations with Angelo Badalamenti.