"Lots of painters are obsessed with inventing something," American painter Joan Mitchell (1925-92) said in 1986. "When I was young, it never occurred to me to invent. All I wanted to do was paint." Throughout her life Mitchell remained committed to totally autonomous abstract painting, always driven by this fundamental love for the craft and technique of painting. In a career spanning more than four decades, Mitchell's painting style married the dynamic gesture of the Abstract Expressionists, her generational peers, to a keen sensitivity to natural phenomena such as light and water. Characterized by an intense color palette and fresh gestural energy, often applied on a very large scale, Mitchell's paintings both sensually seduce and intellectually stimulate viewers. Published to accompany a large-scale survey of Mitchell's painting, Joan Mitchell: Retrospective draws from Mitchell's entire oeuvre, from her early work of the 1950s to her late, multipart works painted in her last years. Both catalogue and exhibition insist on the importance of biography to any retrospective account of Mitchell's work, and a large part of the exhibition is dedicated to the first extensive public presentation of archival materials from the Joan Mitchell Foundation. Photographs, correspondence and ephemera from the archives are reproduced here, along with an illustrated timeline that relates Mitchell's life to her work. Born in Chicago in 1925, Joan Mitchell studied at Smith College before training at The Art Institute of Chicago. After a fellowship in Paris, Mitchell lived in New York, where she became part of the community of Abstract Expressionist painters. She spent increasing amounts of time in France, eventually moving to Paris in 1959, and remaining there until her death in 1992.
DRAWINGS G MORRIS GRAVES EZIO MARTINELLI NORMAN LEWIS CHARLES SELIGER DAVID SMITH U Р FEBRUARY 27 - MARCH 24 , 1951 WILLARD GALLERY · 32 EAST 57 N. Y. & Things that areas viewed from a specie prosin Faith The form such .
Joan Mitchell: the Black Drawings and Related Works 1964 - 1967
in Joan Mitchell: La Grande f-'a/le'e. exh. cat. (Paris: Galerie Jean Fournier. Editions. ... 43: Gibson. "Paris Fair: One-Man Shows the Rule." International Herald Tribune (Paris), October 20-21, 1984. 21. Fournier. interview with the ...
Jackson Pollock was one of the most influential and provocative American artists of the twentieth century.
Published in conjunction with an exhibition held at Spanierman Modern, New York, NY, Sept. 8-Oct. 1, 2011.
Hans Hofmann: Art Like Life is Real
Edited by Michael Rush. Text by Catherine Morris, Irving Sandler.
Catalogue of the exhibition of that name at the Allentown Art Museum of the Lehigh Valley, October 7, 2012, to January 13, 2013
The American Avant-garde: A Decade of Change, 1936-1946
The realist years /by Klaus Kertess --The surrealist years /by Robert Rosenblum --The watercolors 1941-1947 /by James Lawrence --Multifomrs /by Mark Stevens --A painter's progress /by Bernice Rose --Paintings 1948-1969 /by Irving Sandler - ...