The New York art scene of the 1980s is legendary – vital, creative and multimedia-based. It provided young talent with a playground full of opportunities. Andy Warhol, Jean-Michel Basquiat and Francesco Clemente are three of the main protagonists of this era.Between 1983 and 1985, they produced a number of collaborative works, whose appeal was based on their contrary painterly gestures. The works reflect the era, the (pop) star role and the new way in which the artists saw themselves, their mutual fascination but also the dark side of fame.This catalogue provides a comprehensive look at the collaboration between the three artists in the context of their own work and shows the captivating references and differences, the multifaceted nature of the collaboration and its art-historical importance.Included is a preface by Robert Fleck and interviews by Dieter Buchhart with Bruno Bishofberger, Tony Shafrazi and Francesco Clemente.Published to accompany the exhibition Ménage à trois at Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn 10 February – 20 May 2012.
Looks at the many artists, photographers, choreographers, musicians, composers, poets, writers, and other creative people who made Harlem such an amazing place in the 1920s and 1930s.
Newspapers described the Edgefield mark as being near Horn's Creek . Because the early home of the Miles family was on Horn's Creek , and Rev. John Landrum had preached for years at Horn's Creek Baptist Church , the two families must ...
Shawn Dunwoody
Enhanced by nearly 150 images of painting, sculptures, photographs, quilts, and other work by black artists, offers a survey of African American history which covers the predominant political, economic, and demographic conditions of black ...
Drawn from important public and private collections across the United States, William L. Hawkins: An Imaginative Geography includes approximately 50 of Hawkins's most important paintings, both well-known pieces and others rarely seen.
Generosity: A Conversation with Byron Kim, Janine Antoni, and Glenn Ligon
Published on the occasion of an exhibition held at the Whitney Museum of American Art, New York, Mar. 10-June 5, 2011, the Los Angeles County Museum of Art, Los Angeles, Calif.
New Perspectives: Colin Chase and Whitfield Lovell : February 15 Through March 16, 1990, Frances Wolfson Art Gallery, Mitchell Wolfson...
Betye Saar: Migrations
Un poema para Willie Best