Guston disagreed, famously saying: 'I got sick and tired of all that purity--I wanted to tell stories!' And what stories he told, with his Klansmen, ominous but somehow familiar, perhaps even ourselves under those hoods, as suggested in 'Untitled' (1971), which features a fleshy head enclosed by two hooded figures. This was not the path of refinement a leading abstract expressionist painter should be taking, yet Guston pushed forward: challenging tradition and expectations, guided solely by his own intuition and determination. Guston and his wife left for Italy immediately after the 1970 Marlborough opening, taking up residency at the American Academy in Rome over the next seven months. He spent the first two months brooding, despairing at the reviews and the rigidity of the art world, and revisiting the great art of the past that had first moved him to paint as a young man. .
I love this book. It is tough, smart, and compassionate. I know no one else who could have written a book like this.
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As the song states, The sun will come out tomorrow Bet your bottom dollar that tomorrow There'll be sun Just thinkin' about tomorrow Clears away the cobwebs and the sorrow 'til there's none When I'm stuck with a day that's grey and ...
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