"Choreographing Relations" undertakes the experiment of a conceptual site development of contemporary choreography by means of practical philosophy. Guided by the radically empiricist question "What Can Choreography Do?" the book investigates the performances of Antonia Baehr, Juan Dominguez, Xavier Le Roy, and Eszter Salamon, and the philosophical works of Gilles Deleuze and Félix Guattari. It establishes a relation between these practitioners as an encounter in method, and develops method as a singular, material and experimental practice. In view of these singular methods and the participatory relations to which they give rise, Choreographing Relations offers a prolific inventory of arepresentational procedures that qualitatively transformed choreography and philosophy at the turn of the twentieth century.
Keith Bain, a born teacher and himself a champion dancer, actor and choreographer, was the first in Australia to create a comprehensive discipline in the study of movement for performance.
Danceforms 1.0: Software for Visualizing and Chronicling Choreography: A Practical Guide
Numerous famous and little-known paintings by Édouard Manet, Diego de Velázquez, Bartolomé Estéban Murillo, Francisco de Goya, Jusepe de Ribera, Théodule Ribot, Gustave Courbet, Eugène Delacroix and Jean-François Millet were thus put ...
'Movement', says Bain, 'is both how wemove and what moves us, Movement is the look in our eyes, the tensions and thetone in our muscles, our breathing, our thinking, our longings and fears.Movement has equal concern for the inner and outer ...
The book demystifies lighting for the dancer and helps designers understand how the dancer/choreographer thinks about their art form, providing insight into the choreographer's process and exploring how designers can make the most of their ...
A guide for dancers, choreographers and directors, this book examines all phases of the choreographic process, such as structuring the dance, creating floor plans, staging, director, costumes and styles.
The collection is composed of an introduction and sixteen essays by individual authors who work across a number of disciplines through field notes, case studies, participant observations, and photographs, as well as essays reflecting on war ...
The collection is composed of an introduction and sixteen essays by individual authors who work across a number of disciplines through field notes, case studies, participant observations, and photographs, as well as essays reflecting on war ...
Many of these essays are illustrated by ninety-three photographs and a two-hour DVD (40 video excerpts). A project of UCLA – Center for Intercultural Performance, made possible through The Pew Charitable Trusts (www.wac.ucla.edu/cip).
Isadora Duncan: The Dances