Future Imperfect critically examines the role played by cultural institutions in producing present-day and future contexts for the production, dissemination, and reception of contemporary art in the Middle East and North Africa. It offers historical contexts for discussions that have become increasingly urgent in recent years--the role of culture in a time of conflict and globalization--and an in-depth critique of the state of cultural institutions in an age of political upheaval, social unrest, exuberant cultural activity, ascendant neoliberal forms of privatization, social activism, and regional uncertainty. Based on collective input from numerous contributors and interlocutors, this volume brings together internationally renowned academics, critics, activists, filmmakers, artists, and other independent cultural practitioners to consider how new infrastructures and institutions can effectively emerge within such fraught and dynamic contexts. What is needed in terms of infrastructure for cultural production today, and how, crucially, can we speculatively propose new infrastructures and institutions in the context of present realities? Visual Culture in the Middle East Vol. 3 Supported by the Kamel Lazaar Foundation Contributors Leila Al-Shami*, Monira Al Qadiri, Hoor Al-Qasimi, Anahi Alviso-Marino, AMBS Architects, Stephanie Bailey, Eray Çayli, Rachel Dedman, Elizabeth Derderian, Anthony Downey, Karen Exell, Reema Salha Fadda, Wafa Gabsi, Hadia Gana, Adalet R. Garmiany, Baha Jubeh, Suhair Jubeh, Amal Khalaf, Kamel Lazaar, Jens Maier-Rothe, Guy Mannes-Abbott, Doreen Mende, Lea Morin, Jack Persekian, Wided Rihana Khadraoui*, Rijin Sahakian, Gregory Sholette, Tom Snow, Lois Stonock*, Nile Sunset Annex*, Ania Szremski, Christine Tohme, Toleen Touq, Williams Wells, Ala Younis, Yasmine Zidane (*online projects)
Praise for Keith Laumer: "Spare, clean prose style and muscular storytelling technique . . . the reader comes away with both a sense of completion and a desire for the tale to go on ... forever, if possible." –David Weber "You're about to ...
THE JANUS GATE book two of three FUTURE IMPERFECT On a desperate rescue mission to recover their missing captain, the shuttle Copernicus and its crew have become lost in time and space, transported by a powerful subspace vortex to a hellish ...
A study that presents and explains a variety of technological revolutions that may occur over the next few decades, their implications, and how to deal with them expounds upon the effects of technology to discuss radical social changes.
Ade Patience can see the future and it's destroying his life.
The Hulk has seen the future, and it is murder. Both stories find the Hulk at the end of the Earth, and at the end of his rope!
Jennings , therefore , sends himself information about this dismal future as a warning to destroy the time scoop , which , with Porter's help , he accomplishes by utilizing the envelope's twenty items . The film concludes with Rethrick ...
A harrowing new adventure featuring one of Marvel Comics' most enduring characters.
The author shows us in fifteen short stories a society that is just around the corner.
Future Imperfect 1-5, Secret Wars: Battleworld 4 (B story)
In a cold and lonely place, she thinks sadly, I used to talk about the future perfect, the time when all Ive dreamed of and worked for will have come to be. Now my life is looking more like a future imperfect.