North American Indian Art: Masterpieces and Museum Collections from the Netherlands showcases 114 oustanding examples of Native art and heritage from the Canadian subarctic forests to the American Southwest preserved in Dutch museums. Many of these rare material documents collected between the seventeenth and the twenty-first century have never been published before. They are here stunningly presented as individual works of art and placed into their cultural and historical contexts by forty-two leading American, Canadian, and European experts who weave together the historical narrative of each object's acquisition with current Native and scholarly interpretations of their use and meaning. In his introductory essay Pieter Hovens provides a detailed account of the history of Dutch interests in North American Indian cultures, from the seventeenth-century colonial experience in New Netherland through the collecting activities of public institutions and private connoisseurs to academic scholarship and social engagement. All of these interests have contributed to the wealth and range of objects featured here as well as to the public perception of Native Americans in the Netherlands. This book offers for the first time an overview of all institutional collections of Native North American arts and cultures in a single European country. It is the privilege of the Dutch museums to share these heritage collections with the widest audience possible.
It's fun because you can follow the travellers on a map at the beginning of the book as they go all over the world and celebrate with indigenous people who they find share the same basic ideals as them.
The Gilcrease Museum has the honor of possessing the largest extant body of Crumbo's delightful and finely crafted work, which is celebrated and interpreted within the pages of this book.
Joints are secure . Inlay work is carefully inserted . The carving is not chipped or cracked ( see “ Care of argillite ” ' section ) . - Figure 35. Argillite model totem pole by Richard Adkins , Haida , 1978. Eagle and beaver .
This work challenges these assumptions by focusing on the objects as art rather than cultural or anthropological artifacts and on the multivalent creativity of Native American artists.
They began their days as wandering buffalo hunters; yet the Indians imprisoned at Fort Marion who are the subject of this book were the first exponents of the Contemporary school of Indian art.
Spiritual Landscapes: Recent Paintings by Bob Boyer
... number of times by Londoners and, occasionally, American visitors who were kind enough to offer me objects they had found in the London markets. Leyland and Crystal Peyton, who had an eagle eye for spotting works of ethnic interest ...
Life as Buffalo Hunters One buffalo provided plenty of meat for a hunter and his family . However , Plains people got much more than just food from these animals . They developed a use for almost every part of the buffalo .
Pow Wow Images: Photography by Jeffrey Thomas
Chiefly Feasts: The Enduring Kwakiutl Potlatch : [exhibition Catalog]