This book is an expanded, larger-format, and more highly illustrated version of a smaller book released by CEU Press in 2011. It presents and comments on an extensive set of religious and personal photographs and illustrations that depict people along with divine beings or absent loved ones. First, Christian examines the periodic appearances of Christ-like strangers in the Spanish countryside through the vision of a woman in La Mancha in 1931. Then he considers the long history of images with liquids on them not only for early modern Spain, but also in the United States, Italy and France in the 1940s and 1950s. The third and most extensive chapter addresses the iconography of illustrated depictions of divine and spirit beings in conjunction with humans and how its conventions were incorporated into commercial postcards and personal photographs, culminating in photo montages of families and their absent soldiers in World War I. The fourth theme is new to this edition. It compares the electric moments in Spanish communities when people ritually come into physical contact with saints and with animals, or transform themselves into saints or animals for ritual purposes. Over 50 of the color photographs by Spain's preeminent documentary photographer, Cristina García Rodero, are included.
... Early Modern Era. Cambridge, MA: 2002. Oommen Benson. “Song of Songs.” in South Asia Bible Commentary: A One- Volume ... Gardens of Love and the Limits of Morality in Early Netherlandish Art. Leiden: 2019. Pecklers, Keith. “Ressourcement ...
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York ...
This groundbreaking volume examines key sculptural works from thirteenth-century Europe to the global present, revealing new insights into the strategies artists deploy to blur the distinction between art and life.
After all, as constance classen shows in her brief history of 'touch in the museum', handling artefacts, rooting through drawers and leafing through albums were standard practices for early visitors to private or public collections.15 ...
The unforgettable true story of Christopher Knight, who found refuge from the pressures of modern society by living alone in the Maine woods for twenty-seven years.
A FEEL GOOD STORY FOR THE SOUL!
Through stories remembered and imagined, and images by acclaimed photographers, A Stranger's Pose draws the reader into a world of encounters in more than a dozen African towns.
An ordinary man is unwittingly caught up in a senseless murder in Algeria
... 1977); John S. Haller, Jr., and Robin M. Haller, The Physician and Sexuality in Victorian America (Urbana: University of Illinois Press , 1 9 74); Lesley A. Hall, Hidden Anxieties: Male Sexuality 1 900-1950 (Cambridge: Polity, ...
James Barry, the eccentric and pugnacious Irish painter from Castle Street, then engaged in decorating the Meeting Room of the Society of Arts with vast designs (in one of which Dr. Burney, ...