●把牠們全都殺了!
●不准傷害任何一隻!
某些野生動物族群恢復的程度,讓牠們開始出現在人類的生活裡,
要怎麼處理闖進家門把廚房翻得亂七八糟、
除了人類與野生動物之間的衝突,人與人之間的衝突也無法忽視。
作者跟著動物行為專家走進有熊出沒的餐館後巷、
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「為什麼產生同樣衝突,有些動物『受保護』,有些物種卻『
—吳幸如,國立屏東科技大學森林系助理教授
「回到台灣的議題上,過去因為歷史糾結、
這問題很直接挑戰現代人的保育觀。我想,
—郭彥仁(郭熊),台灣黑熊生態研究者、作家
「瑪莉‧羅曲絕對不會讓場子冷掉。
—艾瑞克‧麥克丹尼爾(Eric McDaniel),美國公共廣播電台(NPR)
「本書充滿離奇的事實和超乎想像的第一手報導……
—喬‧史普林(Joe Spring),《史密森尼》雜誌(Smithsonian)
「羅曲闡述了詳盡的調查結果,
—凱瑟琳‧E‧海姆斯(Katherine E. Himes),《科學》雜誌(Science)
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豐子愷跟弘一大師(李叔同)於1929年一起創作了《護生初集》。最初是豐子愷畫畫,弘一大師書寫。弘一大師離世後,由其他自願者接續題字,仍是畫圖先行,按語隨後,歷年增添成為整整六部的《護生畫集》。原作序言中,豐先生特意解釋「護生」一詞。「護生」終為「護人心」,希望發人之愛心。由練習愛護動物,修養愛護別人。豐子愷在畫頁之間,呈現仁慈,流灑了對動物深度愛顧。這份矛盾,多年來存在於很多讀者心中。?那年代對保育的概念之陌生。在周遭很多人沒有東西吃的時期,爭取動物權益,確然前衛。招惹批評,亦可理解。但時至今天,人類的發展已經差不多佔盡地球上所有資源,然而帶來對環境不斷破壞,動物絕種,危害是無法挽回。一棵樹、一條豆芽、一頭牛、一隻小狗,被刀割的當下,都會痛。如果能思考多一點這種痛,你能不覺得其他生命其實也一樣重要嗎?二犬十一咪決定翻畫大師的《護生畫集》,自覺厚著面皮,原作已經十足美好。不過,畢竟隔了八十年,也許畫一個新版,能有助調適時差隔膜。倘若能夠承傳護生的精神,護生、護人心,進而以行動保護她他牠它,那就算是自利利他了。
Redemption is the story of animal sheltering in the United States, a movement that was born of compassion and then lost its way. It is the story of the 'No...