Shakespeare and the Force of Modern Performance

ISBN-10
6610159572
ISBN-13
9786610159574
Category
Film adaptations
Pages
274
Language
English
Published
2003
Author
William B. Worthen

Description

Shakespeare and the Force of Modern Performance asks a central theoretical question in the study of drama: what is the relationship between the dramatic text and the meanings of performance? Developing the notion of 'performativity' explored by J. L. Austin, Judith Butler, and others, Worthen argues that the text cannot govern the force of its performance. Instead the text becomes significant only as embodied in the changing conventions of its performance. Worthen explores this understanding of dramatic performativity by interrogating several contemporary sites of Shakespeare production. He analyses how Shakespeare is recreated in historical performance, exemplified by the Globe Theatre on Bankside; by international and intercultural performance; by film; and by the appearance of Shakespeare on the Internet. The book includes detailed discussions of recent film and stage productions, and sets Shakespeare performance alongside other works of contemporary drama and theatre.

Other editions

Similar books

  • Shakespeare, Technicity, Theatre
    By William B. Worthen

    In a series of probing discussions, Worthen interrogates the interaction of live and mediated acting onstage, the impact of written media from the handwritten scroll to the small-screen app in acting as a technē, the work of Original ...

  • The Encyclopedia of Novels Into Film
    By John C. Tibbetts, James Michael Welsh

    Surveys film adaptations of over 300 novels, including summarizations of plots, major characters and themes, comparisons between movie and novel, etc.

  • Shakespeare: The Two Traditions
    By Herbert R. Coursen

    Kahn's soldiery carried carbines — the play's movement forward in time could be calibrated by the advance in weaponry and by Margaret's nicely contrasting pregnancy and motherhood . But Kahn avoided the percussive anachronisms that tend ...

  • L'adaptation cinématographique des textes littéraires: théories et lectures
    By Michel Serceau

    COLLECTION « LES CAHIERS DES PARALITTÉRATURES » ! • CAHIER 1 : LES PARALITTÉRATURES : GENRES Actes du 1er colloque des Paralittératures de Chaudfontaine - 1987 - 206 p - ISBN 2-87130-016 - X • CAHIER 2 : LE ROMAN D'AVENTURES Actes du 2e ...

  • Adapting Nathaniel Hawthorne to the Screen: Forging New Worlds
    By Laurence Raw

    Until 1979 , the only classic serials to be broadcast regularly on American television were made by the BBC or ITV ... see Robert Giddings and Keith Selby , The Classic Serial on Television and Radio ( Basingstoke : Palgrave , 2001 ) .

  • The Oxford Handbook of Adaptation Studies
    By Thomas M. Leitch

    Table 38.1 Continued Total Percentage 1937 Plays 12 16 Novels 11 14 Short stories 5 7 Originals 48 63 1938 Plays 10 14 Novels 13 18 Short stories 2 3 ... We can highlight these changes by comparing 1931–1935 to 1936–1940 (Table 38.2).

  • The History of French Literature on Film
    By Kate Griffiths, Andrew J. Watts

    "This comprehensive history of cinematic adaptations of French literature analyses the reworking of a key body of writing from the silent era to the present"--

  • Marvel: Creating the Cinematic Universe
    By Rebecca Mutch

    Marvel: Creating the Cinematic Universe

  • Lights, Camera, Game Over!: How Video Game Movies Get Made
    By Luke Owen, Paul W. S. Anderson

    More than 40 indsutry insiders, including film directions Paul W. S. Anderson (Resident Evil), Simon West (Tomb Raider), and Steven de Souza (Street Fighter), share their insights on the process." --publisher description.