Classic film noir was Hollywood's 'dark cinema' of crime and corruption; a genre underpinned by a tone of existential cynicism which stripped bare the myth of the American Dream and offered a bleak, nightmarish vision of a fragmented society that rhymed with many of the social realities of forties and fifties America. Mean Streets and Raging Bulls explores how, since its apparent demise in the late fifties, the noir genre has been revitalized during the post-studio era. The book is divided into two sections. In the first, the evolution of film noir is contextualized in relation to both America.
Gaslight ( 1944 ) d George Cukor , sc Walter Reisch & John L Balderston , pl Patrick Hamilton , c Ingrid Bergman , Charles Boyer , Joseph Cotten . Victorian Noir . Man tries to drive wife mad .
Beginning with a general overview of film noir and covering its most important themes chapter by chapter (lovers plan murder, corrupt police, doomed love, psychological noir, etc.), this copiously illustrated handbook provides instant and ...
A down-and-out private eye is hired by a sexy femme fatale who seduces him, double crosses him, and sets him up for trouble with the law, her ex-boyfriend, and the mob.
TASCHEN's 100 all-time favorite film noirs and neo-noirs: from The Cabinet of Dr. Caligari to Drive.
The photos in this book include production stills from many noir gems which illustrate the style and capture the impact of this atmospheric cinematic genre.
Examines Tech-Noir as a distinct literary and cinematic genre.
*Includes pictures *Includes the actors' quotes about their lives and careers *Includes bibliographies for further reading Americans have always loved movie stars, and there have been no shortage of Hollywood icons, but one man has long ...
A collection of quotables from those gritty movies from the mid-forties to the mid-fifties featuring losers and drifters, dreamers and grifters, immortalized by the TV late show.
... The Virtues of Mendacity : On Lying in Poli- tics ( Charlottesville : University of Virginia Press , 2010 ) , 140. Bernard Williams asserts the same starting point : " No one can expect a government to make full disclosure about ...
This illustrated volume covers the films, directors and themes of the film noir genre 1945-1955.